Public on sale 12/22/2023 – 10am

ALL TICKET SALES ARE FINAL
Limit of 4 tickets per purchaser.

Underwritten by

ABOUT Monophonics

Since 2012, Monophonics has steadily built a reputation as a consistent band with a unique sound. Well crafted songs and records are matched by an energetic live performance. A heavenly signature style: Pure timeless heavy soul and warm textures of psychedelic rock. This is a band that revels in the past, taking you back to the stylings of the late 60s and early 70s, while always keeping its feet positioned in the present, looking ahead to the future.

Front man, vocalist & keyboardist Kelly Finnigan always leads with power. The renowned rhythm section starts with drummer Austin Bohlman along with Max Ramey on Bass and Aquilles Magaña on guitar. A dynamic horn section led by Ryan Scott on Trumpet with Jason Cressey playing Trombone always elevates the show & sound. This core group drips in cosmic fashion.

As a touring band, Monophonics has taken their act to dozens of countries, selling out venues all over the states, UK & Europe including London, NYC, Athens, LA, Istanbul, San Francisco, Amsterdam & Paris. Known for putting on an infectious performance which places their intimate songwriting and soulful musicianship on full display. Its the kind of concert that delivers gifts to the mind, body and soul of every crowd in each city they travel to. Monophonics brings a musical experience that is unforgettable, which has earned the group a global fanbase and loyal following.

Sage Motel, Monophonics’ fifth studio album released in 2022 on Colemine Records, once again captures the bands timeless psychedelic soul sound that they are known to produce. Met with an outstanding reception including nods from NPR Music, KCRW, BBC and Shindig, the record has thrived in multiple scenes. Since it’s release, ‘Sage Motel’ has found its way to millions of listeners online and seen thousands of records distributed and sold in record shops around the world.

Learn more: WEBSITE / FACEBOOK / INSTAGRAM / TWITTER / YOUTUBE / SPOTIFY

Support: Kendra Morris

“How do you put yourself into a record? Torbitt and I wanted to make it feel like you cracked open the ooze in my head,” Morris says, referring to her co-writer and producer Torbitt Schwartz AKA Little Shalimar (Run The Jewels). Morris is an accomplished visual artist and stop-motion animator, so it’s appropriate that I Am What I’m Waiting For takes a collagist approach, mischievously recombining all sorts of rock and roll ingredients — the sass and swagger of Ronnie Spector, the more acid-fried corners of the Nuggets compilations, post-modern interpolations of mid-century exotica music, the cracking snares and sugary urbanity of ESG — while offering moments of vulnerable insight from a life spent in pursuit of creativity.

Morris was a musically precocious child and, after playing in Florida bar bands, moved to New York to chase the dream. Thus began a formative 13-year stint bartending at the beloved Lower East Side dive The Library, which thrust Morris directly into the heart of Manhattan’s fertile post-Strokes creative scene. Brian Jonestown Massacre’s Anton Newcombe lived upstairs, music journalist Marc Spitz was a regular, and touring acts would come through to carouse after playing Bowery Ballroom. During those moments, Morris yearned to join the rarefied air of the musicians on the other side of the bar.

All the while, Morris pursued her music dreams. “It was pure, 100% DIY. I never took no for an answer. If I didn’t have the money, I figured out how to make it happen: Videos, artwork, whatever.” After the dissolution of her first band, she recorded 8-track demos and performed solo shows backed by cassette recordings of her own vocal harmonies. Through these shows she connected with longtime producer Jeremy Page. It was kismet.

“I worked with Jeremy for the next 10-plus years,” says Morris. “We worked together through some of the most beautiful and hardest life things I’ve ever gone through.” It was a fruitful partnership: Morris signed to Wax Poetics for the release of her “seductive, soulful” (Rolling Stone) 2012 debut Banshee and 2013’s Mockingbird, self-released her 2016 EP Babble (reissued earlier this year), and signed to Karma Chief for 2022’s “beautifully sung” (MOJO) Nine Lives. She’s linked up with a murderer’s row of collaborators, including DJ Premier, MF Doom, Ghostface Killah, and David Sitek. Interview Magazine called her “a modern day Janis Joplin,” and NPR praised her “lush, moody mix of neo-soul.”

DETAILS

• SHOW @ 8:00 pm / DOORS @ 7:00 pm
• STANDING ROOM SHOW / 21+
• ALL TICKET SALES ARE FINAL
• Limit of 4 tickets per purchaser

Presented By: The Arts Campus At Willits