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DTSTART;TZID=America/Denver:20261231T203000
DTEND;TZID=America/Denver:20261231T235900
DTSTAMP:20261105T180715Z
CREATED:20261106T170000Z
LAST-MODIFIED:20261105T180715Z
UID:21840-1798749000-1798761540@tacaw.org
SUMMARY:New Years Eve Bash Ft. Jes Grew With The Broccoli Bros Horns
DESCRIPTION:New Years Eve Bash Ft. Jes Grew \n\n\n\nW/ The Broccoli Bros Horns \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:30 pm / DOORS @ 8:00 pm \n\n\n\nEarly Bird $35 (Expires 11/29) \n\n\n\nMember $45 / Advance $50 / Week OF $75 \n\n\n\nSTANDING ROOM SHOW / 21+ Valid Photo ID Required \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser \n\n\n\n\n\n\n\nABOUT JES GREW WITH THE BROCCOLI BROS HORNS\n\n\n\n\n\n\n\nGenre: Funk / SOUL / ROCK \n\n\n\nFACEBOOK \n\n\n\n“Symptoms of jes’ grew include: mediocrity intolerance\, chronic questioning of authority\, and uncontrollable shaking of the hips and ass.”— Ishmael Reed\, Mumbo Jumbo (1972) \n\n\n\nThere’s something funky going around… and it’s called JES GREW!Since 1998\, Aspen’s own Jes Grew has been spreading its infectious blend of funk\, soul\, rock & roll\, and downright dance floor madness throughout the Roaring Fork Valley. Fueled by soulful vocals\, greasy grooves\, blazing guitars\, and the mighty Broccoli Bros. Horns\, this eight-piece musical collective has been making hips shake and booties move for nearly three decades. \n\n\n\nThis New Year’s Eve\, Jes Grew brings the funk for a very special show at TACAW in Basalt for a full-blown celebration to ring in 2027. Bring your dancing shoes\, leave your inhibitions at the door\, and prepare to catch a serious case of JES GREW! \n\n\n\nJes Grew: Randolph Turner (Guitar/Vocals)\, Cameron Williams (Guitar/Vocals)\, Rob “Monkey” Dasaro (Keys/Vocals)\, Steven “Vidi” Vidamour (Bass)\, Toby Britt (Drums). \n\n\n\nBroccoli Bros. Horns: Kriss Harmony (Saxophone/Vocals)\, Ben Yaeger (Trumpet/Vocals)\, Mark Yaeger (Trombone/Vocals). \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:30 pm / DOORS @ 8:00 pm\n\n\n\nSTANDING ROOM SHOW / 21+ Valid Photo ID Required\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/new-years-eve-bash-ft-jes-grew-with-the-broccoli-bros/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270105T200000
DTEND;TZID=America/Denver:20270105T235900
DTSTAMP:20261105T182405Z
CREATED:20261103T170000Z
LAST-MODIFIED:20261105T182405Z
UID:5840-1799179200-1799193540@tacaw.org
SUMMARY:The Whiffenpoofs of Yale University
DESCRIPTION:The Whiffenpoofs of Yale University\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\nPRIcing details below \n\n\n\nTHIS IS A YOUTH ARTS PASS SHOW \n\n\n\n$35 MEMBERS / $40 ADVANCE / $50 DAY OF / $20 YOUTH (17 and Under) \n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nAll ticket sales are finalLimit of 4 tickets per purchaser \n\n\n\n$35 MEMBERS / $40 ADVANCE / $50 DAY OF / $20 YOUTH (17 and Under)THIS IS A YOUTH ARTS PASS SHOW \n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT The Whiffenpoofs of Yale University\n\n\n\nGenre: ACAPELLA \n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / TWITTER / YOUTUBE / SPOTIFY \n\n\n\nSince their founding in 1909\, the Whiffenpoofs have brought their diverse repertoire of vocal jazz\, folk\, pop\, and Broadway hits to more than two hundred audiences each year across all 6 inhabited continents. In past years\, the ‘Whiffs’ have sung for Presidents Obama\, Bush (41 and 43)\, Clinton\, and Reagan\, and at venues including Carnegie Hall\, Lincoln Center\, and the Kennedy Center. They’ve even been featured on television shows such as ‘The Sing Off\,’ ‘The West Wing\,’ and ‘Glee. \n\n\n\n\n\n\n\n\n TICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLocal 7th through 12th graders enrolled in TACAW’s Youth Art Pass program are eligible to receive two (2) free admission tickets: one (1) for them and one (1) for a guest. For more information and to register visit: tacaw.org/YAP \n\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian)\n\n\n\nAll ticket sales are final\n\n\n\nLocation: TACAW\, 400 Robinson St\, Basalt\, CO 81621\n\n\n\n\n\n\nPresented By: TACAW
URL:https://tacaw.org/calendar/the-whiffenpoofs-of-yale-university/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/1_5-Image_640by360-w_yap.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270107T200000
DTEND;TZID=America/Denver:20270107T235900
DTSTAMP:20261106T160701Z
CREATED:20260724T210807Z
LAST-MODIFIED:20261106T160701Z
UID:20764-1799352000-1799366340@tacaw.org
SUMMARY:Lincoln Goes To Hollywood: A Hysterical\, Historical Comedy
DESCRIPTION:Lincoln Goes To Hollywood\n\n\n\nA Hysterical\, Historical Comedy \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$30 MEMBER / $35 ADVANCE / $45 DAY OF \n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN) \n\n\n\nTHIS IS A YOUTH ARTS PASS SHOW \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS 1/7\n\n\n\nTICKETS 1/9\n\n\n\n\n\n\n\n\nRECOMMENDED FOR AGES 12+LIMIT OF 4 TICKETS PER PURCHASERALL TICKET SALES ARE FINALPRESENTED IN PARTNERSHIP WITH ASPEN FRINGE FESTIVAL \n\n\n\nTHIS IS A YOUTH ARTS PASS SHOW \n\n\n\n\n\n\n\nABOUT LINCOLN GOES TO HOLLYWOOD\n\n\n\n\n\n\n\nAbraham Lincoln is back… and he has a few things to say.Starring David Ledingham and Lyon Hamill\, this new comedy brings Lincoln\, the Booth brothers and Shakespeare together for a funny and thought-provoking journey from the Roman Republic to Hollywood. History\, politics\, show business and the American experiment collide in one wildly entertaining night at the theatre called: ​“funny and inventive . . . refreshing genius” \n\n\n\nThis new Hit Comedy was commissioned for AFF’s JuneFest 2025\, and following RAVE REVIEWS\, transferred to Thunder River Theatre Company for an acclaimed encore. \n\n\n\nNow\, after two years of development\, Lincoln Goes to Hollywood arrives at TACAW as a fully realized full-length production. \n\n\n\nAFF’s 1st\, Angry Alan\, went on to Edinburgh\, London\, Paris\, India and Off-Broadway\, winning the coveted Fringe First Award and ultimately starring John Krasinski and directed by Tony Award winner Sam Gold. \n\n\n\nSee Lincoln Goes to Hollywood—before it’s HISTORY! \n\n\n\nTHE CAST\n\n\n\n\n\n\n\nDAVID LEDINGHAM \n\n\n\n\n\n\n\n\n\n\n\nDavid Ledingham was nominated for BEST ACTOR (Henry Awards) for his performance of HAMM in Endgame by Samuel Beckett in 2024. He is the founder and Artistic Director of the Aspen Fringe Festival since 2009. He wrote and performed Lincoln Goes to Hollywood at AFF’s Junefest at the Wheeler Opera House in 2025\, followed by 4 encore performances at TRTC.BROADWAY: Signor Nacarelli in the B’way Nat’l Tour of Lincoln Center’s Tony Award-winning The Light in the Piazza\, LONDON: Steppenwolf Theatre’s Tony Award winning The Grapes of Wrath\, at The National Theatre\, London & La Jolla Playhouse. OFF-BROADWAY: Antipholus The Comedy of Errors\, Quartet at B.A.M.REGIONAL: Josiah Bartlet in 1776 at American Conservatory Theatre\, Daniel Cavanaugh in Chinglish at Berkeley Repertory Theatre\, Jack in The Weir\, Oscar in The Odd Couple\, Sky Masterson in Guys and Dolls\, The Guardsman in Enter the Guardsman and Ivor Fish in Rough Crossing at Jewel Theatre. Regional Theatre: Sir Robert in An Ideal Husband and Heathcliff in Wuthering Heights at Paper Mill Playhouse\, Overtime at The Old Globe Theatre\, Sergius in Arms and the Man at Asolo Theatre\, The Guardsman in Enter the Guardsman at San Jose Repertory Theatre\, Lumberjacks in Love at Milwaukee Repertory Theatre\, Laertes in Hamlet at Merrimack Repertory Theatre\, and Victor Fleming in Moonlight & Magnolias\, George Bailey in It’s a Wonderful Life\, Klinglehoff in The Underpants\, Tito Merelli in Lend Me A Tenor\, Duke Orsino in Twelfth Night\, Harry Chapin in Lies & Legends & Joe Foster in Becky’s New Car all at Theatre Aspen.FILM/TV: David starred in the film Final Judgement\, the 2024 film The Long Step\, was a series regular on ABC’s One Life to Live\, and Guest Stared on Law & Order\, etc. He co-wrote and directed the play The Song that killed the Snake\, with a 16 piece chamber orchestra for the LA Philharmonic and directed the Film Hitler\, Stalin and Walter O’Malley\, and many other projects. He holds a BFA & MFA in Acting. \n\n\n\n\n\nLYON HAMILL \n\n\n\n\n\n\n\n\n\n\n\nLyon Hamill is an NYC based actor who has strong ties to the valley. He works as an actor and musician and is the proud drummer for the Latin rock band\, NEVERHOME. His professional theater credits include his self-produced show Do You Feel Anger? (as Howie)\, Love’s Labour’s Lost (as Berowne)\, and Enter the Guardsman (as ASM). His film/TV credits include “An Aspen Christmas Conspiracy” (as Justin Carmichael)\, “Is This Thing On?” (as Bartender)\, Saturday Night Live (as Folk Drummer)\, Carry the Darkness (as Brock)\, and The Better Part (as Cal). SMU BFA: Machinal (George H. Jones)\, Redwood (as Drew Tatum)\, Sense and Sensibility (John Dashwood)\, and Spring Awakening (as Ulbrect). Lyon is grateful to perform in the valley again and looks forward to sharing this story with you all! \n\n\n\n\n\n\n\n\n\n\n\n\n\nLocal 7th through 12th graders enrolled in TACAW’s Youth Arts Pass program are eligible to receive two (2) free admission tickets: one (1) for them and one (1) for a guest. For more information and to register visit: tacaw.org/YAP \n\n\n\n\n\n\n\n\n\n\nTICKETS 1/7\n\n\n\nTICKETS 1/9\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits and Aspen Fringe Festival
URL:https://tacaw.org/calendar/lincoln-goes-to-hollywood/
CATEGORIES:Theatre,Thought-Provoking Programming
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270108T200000
DTEND;TZID=America/Denver:20270108T235900
DTSTAMP:20261111T211810Z
CREATED:20261109T170000Z
LAST-MODIFIED:20261111T211810Z
UID:21829-1799438400-1799452740@tacaw.org
SUMMARY:Moontricks
DESCRIPTION:Moontricks\n\n\n\nW/ Will Evans \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$30 MEMBER / $35 ADVANCE / $45 DAY OF \n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser. \n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT MOONTRICKS\n\n\n\n\n\n\n\nGENRE: DANCE / ELECTRONIC \n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / YOUTUBE / TWITTER / SPOTIFY / APPLE MUSIC \n\n\n\nBased in the rustic Kootenay mountains of Western Canada\, Nathan Gurley and Sean Rodman of nationally renowned electro-folk duo Moontricks draw inspiration from the ongoing cycles of the natural world. Both volatile and constant—like nature’s best offerings—the band finds solace and beauty in the fusion of seemingly disparate elements. \n\n\n\nThere’s a kind of technicolor campfire quality to their uniquely hybrid sound: Each track is steeped in tradition and polished with a futuristic sheen\, mixing organic folk\, roots rock\, and old-time blues with modern electronic production. Since its initial release\, the band’s breakout hit “Home” has reached over 10 million streams\, and their original tracks have been licensed for a wide range of television networks\, including Netflix and Fox Sports. \n\n\n\nWith the release of their debut full-length album Currents via Westwood Recordings\, the duo reveals an ever-evolving\, cohesive blend of introspective writing\, soulful\, gritty blues\, boot-stomping basslines\, and intricate electronic arrangements. Vast\, intimate\, and dazzling\, Currents is an album about settling into feeling comfortably lost\, and being okay with not knowing it all. It’s about finding joy and inspiration in the act of seeking. \n\n\n\nABOUT WILL EVANS\n\n\n\nWEBSITE / INSTAGRAM / FACEBOOK / YOUTUBE / SPOTIFY \n\n\n\nWill Evans pulls everyone into his embrace. He musically accesses a space without boundaries where all are welcome to commune openly and move freely. Through quotable folk-inspired lyrics\, breezy grooves\, and roots energy\, it’s as if he’s giving you permission to be that pure self you can’t always be at work or even at home… \n\n\n\nThe Rhode Island-based singer\, songwriter\, and multi-instrumentalist also puts his words into action via his “Kind Folk” fan community\, activating small acts of kindness\, charity\, and goodwill in tandem with performances nationwide. After generating over 50 million streams independently\, he inspires once again through a series of 2024 releases and much more to come. \n\n\n\n“I want to make music that moves you\,” he states. “It’s rooted in compassion\, kindness\, and community. With anything I release\, there’s a lot of passion behind it. I’m always giving you the most authentic version of myself.” \n\n\n\nBuzzing out of the East Coast\, he has consistently engaged and enraptured a fervent audience. By rotating between acoustic guitar\, didgeridoo\, handpan\, percussive beatboxing\, and more\, he has developed a living and breathing signature sound of his own. Following Wishin’ Well [2013] and Signal Flares [2015]\, he reached a creative tipping point on Rise [2018]. Beyond collaborations with Trevor Hall\, Mihali\, and Paul Izak\, it yielded the fan favorites “Adam & Eve”\, “Rise” and “Hoka Hey” with over 5 million streams and counting. The album notably garnered three nominations at the New England Music Awards. 2023 saw him share After The Burnt Out Sun. Met with critical acclaim\, “a sophisticated collection\,” Seven Days professed\, “the record showcases Evans’ multi-instrumentalist prowess.” Between selling out shows across the United States and Europe\, he has graced bills alongside Crosby & Nash\, Grace Potter\, Bruce Hornsby\, Michael Franti & Spearhead\, Trevor Hall\, and Railroad Earth\, to name a few. Meanwhile\, “Kind Folk” has supported philanthropic organizations\, including Surfrider Foundation\, Operation Warm\, Do It For The Love Foundation\, Always Home\, and more. Their campaigns have ranged from beach cleanups\, clothing and food drives and benefits for land trust organizations. \n\n\n\nAll the while\, he continually pushes himself sonically. \n\n\n\n“I try to find sounds that are grounding \,” notes Will. “Everything starts with the rhythm\, but I just love to create this ethereal atmosphere like a blanket around the lyrics. I treat it like a tapestry and add colors. It almost feels spiritual.” \n\n\n\nThat’s definitely the case with the 2024 single “The Wild Unknown.” This patchwork of dreamy guitar and vibrant bells finds him in a moment of reflection. The lyrics wrestle with life’s highs and lows only to lift off on the anthemic refrain\, “We lit the fire in the wild of the great unknown.” \n\n\n\n“It talks about how the mistakes you make and the lessons you learn in life are what really shape you\,” he goes on. “All of those things are important to help you on your journey\, rather than shutting them out and considering them failures. You need to be strong enough to own those experiences and actions. Life is just a wild ride.” \n\n\n\nOn “Lay Our Weapons Down\,” his mesmerizing vocals practically float atop lithe acoustic guitar. Emotion pours straight from the heart as he wonders aloud\, “What are you gonna do when you hit the ground?” \n\n\n\nThen\, there’s “Tides.” It layers hummable melodies between gentle guitar and soft piano. He cuts deep with proclamations a la\, “It wasn’t a burden\, but it was enough to change the tides.” \n\n\n\nIn the end\, Will has built a place for you\, if you need it. \n\n\n\n“This is pure music\,” he leaves off. “It’s like my sanctuary or my connection to a higher power. I hope it can be the same for you. I’m truly grateful for the opportunity to create.” \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/moontricks/
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/1_8-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270109T200000
DTEND;TZID=America/Denver:20270109T235900
DTSTAMP:20261001T173646Z
CREATED:20260724T210931Z
LAST-MODIFIED:20261001T173646Z
UID:20771-1799524800-1799539140@tacaw.org
SUMMARY:Lincoln Goes To Hollywood: A Hysterical\, Historical Comedy Night 2
DESCRIPTION:Lincoln Goes To Hollywood\n\n\n\nA Hysterical\, Historical Comedy \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$30 MEMBER / $35 ADVANCE / $45 DAY OF \n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN) \n\n\n\nTHIS IS A YOUTH ARTS PASS SHOW \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS 1/7\n\n\n\nTICKETS 1/9\n\n\n\n\n\n\n\n\nRECOMMENDED FOR AGES 12+LIMIT OF 4 TICKETS PER PURCHASERALL TICKET SALES ARE FINALPRESENTED IN PARTNERSHIP WITH ASPEN FRINGE FESTIVAL \n\n\n\n\n\n\n\nABOUT LINCOLN GOES TO HOLLYWOOD\n\n\n\n\n\n\n\nAbraham Lincoln is back… and he has a few things to say.Starring David Ledingham and Lyon Hamill\, this new comedy brings Lincoln\, the Booth brothers and Shakespeare together for a funny and thought-provoking journey from the Roman Republic to Hollywood. History\, politics\, show business and the American experiment collide in one wildly entertaining night at the theatre called: ​“funny and inventive . . . refreshing genius” \n\n\n\nThis new Hit Comedy was commissioned for AFF’s JuneFest 2025\, and following RAVE REVIEWS\, transferred to Thunder River Theatre Company for an acclaimed encore. \n\n\n\nNow\, after two years of development\, Lincoln Goes to Hollywood arrives at TACAW as a fully realized full-length production. \n\n\n\nAFF’s 1st\, Angry Alan\, went on to Edinburgh\, London\, Paris\, India and Off-Broadway\, winning the coveted Fringe First Award and ultimately starring John Krasinski and directed by Tony Award winner Sam Gold. \n\n\n\nSee Lincoln Goes to Hollywood—before it’s HISTORY! \n\n\n\nTHE CAST\n\n\n\n\n\n\n\nDAVID LEDINGHAM \n\n\n\n\n\n\n\n\n\n\n\nDavid Ledingham was nominated for BEST ACTOR (Henry Awards) for his performance of HAMM in Endgame by Samuel Beckett in 2024. He is the founder and Artistic Director of the Aspen Fringe Festival since 2009. He wrote and performed Lincoln Goes to Hollywood at AFF’s Junefest at the Wheeler Opera House in 2025\, followed by 4 encore performances at TRTC.BROADWAY: Signor Nacarelli in the B’way Nat’l Tour of Lincoln Center’s Tony Award-winning The Light in the Piazza\, LONDON: Steppenwolf Theatre’s Tony Award winning The Grapes of Wrath\, at The National Theatre\, London & La Jolla Playhouse. OFF-BROADWAY: Antipholus The Comedy of Errors\, Quartet at B.A.M.REGIONAL: Josiah Bartlet in 1776 at American Conservatory Theatre\, Daniel Cavanaugh in Chinglish at Berkeley Repertory Theatre\, Jack in The Weir\, Oscar in The Odd Couple\, Sky Masterson in Guys and Dolls\, The Guardsman in Enter the Guardsman and Ivor Fish in Rough Crossing at Jewel Theatre. Regional Theatre: Sir Robert in An Ideal Husband and Heathcliff in Wuthering Heights at Paper Mill Playhouse\, Overtime at The Old Globe Theatre\, Sergius in Arms and the Man at Asolo Theatre\, The Guardsman in Enter the Guardsman at San Jose Repertory Theatre\, Lumberjacks in Love at Milwaukee Repertory Theatre\, Laertes in Hamlet at Merrimack Repertory Theatre\, and Victor Fleming in Moonlight & Magnolias\, George Bailey in It’s a Wonderful Life\, Klinglehoff in The Underpants\, Tito Merelli in Lend Me A Tenor\, Duke Orsino in Twelfth Night\, Harry Chapin in Lies & Legends & Joe Foster in Becky’s New Car all at Theatre Aspen.FILM/TV: David starred in the film Final Judgement\, the 2024 film The Long Step\, was a series regular on ABC’s One Life to Live\, and Guest Stared on Law & Order\, etc. He co-wrote and directed the play The Song that killed the Snake\, with a 16 piece chamber orchestra for the LA Philharmonic and directed the Film Hitler\, Stalin and Walter O’Malley\, and many other projects. He holds a BFA & MFA in Acting. \n\n\n\n\n\nLYON HAMILL \n\n\n\n\n\n\n\n\n\n\n\nLyon Hamill is an NYC based actor who has strong ties to the valley. He works as an actor and musician and is the proud drummer for the Latin rock band\, NEVERHOME. His professional theater credits include his self-produced show Do You Feel Anger? (as Howie)\, Love’s Labour’s Lost (as Berowne)\, and Enter the Guardsman (as ASM). His film/TV credits include “An Aspen Christmas Conspiracy” (as Justin Carmichael)\, “Is This Thing On?” (as Bartender)\, Saturday Night Live (as Folk Drummer)\, Carry the Darkness (as Brock)\, and The Better Part (as Cal). SMU BFA: Machinal (George H. Jones)\, Redwood (as Drew Tatum)\, Sense and Sensibility (John Dashwood)\, and Spring Awakening (as Ulbrect). Lyon is grateful to perform in the valley again and looks forward to sharing this story with you all! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLocal 7th through 12th graders enrolled in TACAW’s Youth Arts Pass program are eligible to receive two (2) free admission tickets: one (1) for them and one (1) for a guest. For more information and to register visit: tacaw.org/YAP \n\n\n\n\n\n\n\n\n\n\nTICKETS 1/7\n\n\n\nTICKETS 1/9\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits and Aspen Fringe Festival
URL:https://tacaw.org/calendar/lincoln-goes-to-hollywood-night-2/
CATEGORIES:Theatre,Thought-Provoking Programming
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/07/1_7-Image_640by360-v3.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270114T190000
DTEND;TZID=America/Denver:20270114T235900
DTSTAMP:20261111T224519Z
CREATED:20261111T224418Z
LAST-MODIFIED:20261111T224519Z
UID:21944-1799953200-1799971140@tacaw.org
SUMMARY:National Theatre Live: Hay Fever
DESCRIPTION:National Theatre Live: Hay Fever\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:30 pm \n\n\n\n$30 GENERAL ADMISSION \n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nRECOMMENDED FOR AGES 12+RUN TIME: 180 MINUTESLIMIT OF 4 TICKETS PER PURCHASERALL TICKET SALES ARE FINAL \n\n\n\n\n\n\n\n\n\n\n\nABOUT HAY FEVER\n\n\n\n\n\n\n\n\n\n\n\nGENRE: FILMED LIVE THEATRE \n\n\n\nWritten By Noël CowardDirected By Emily BurnsRun Time 180 MinutesRecommended For Ages 12+Content Includes Flashing Lights \n\n\n\nEmmy and Tony winner Christine Baranski makes her West End debut alongside Academy Award-nominated stage and screen legend Richard E. Grant in Noël Coward’s irresistible comedy. \n\n\n\nJudith Bliss retired from her life on stage\, and she misses the applause. Idling away at their country home\, the rest of the family are too self-involved to be a good audience. So\, Judith invites a young fan as her guest for the weekend. But unbeknownst to her\, each of the Blisses has a guest of their own arriving at the very same time. \n\n\n\nFilmed live from the West End\, Emily Burns directs this stinging new production. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:30 pm\n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/national-theatre-live-hay-fever/
CATEGORIES:Film,Theatre
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/1_14-Image_640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270116T200000
DTEND;TZID=America/Denver:20270116T235900
DTSTAMP:20261110T231825Z
CREATED:20261110T150000Z
LAST-MODIFIED:20261110T231825Z
UID:21892-1800129600-1800143940@tacaw.org
SUMMARY:Railroad Earth
DESCRIPTION:Railroad Earth\n\n\n\n\n\n\n\n\n\n\n\n$65 MEMBER / $70 ADVANCE / $80 DAY OF \n\n\n\nDOORS @ 7:00 PM / SHOW @ 8:00 PM \n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS ON SALE 11/13 @ 10 AM\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser \n\n\n\n\n\n\n\nABOUT RAILROAD EARTH\n\n\n\nGenre: BLUEGRASS \n\n\n\n\n\n\n\nWEBSITE / YOUTUBE / INSTAGRAM / FACEBOOK / SPOTIFY \n\n\n\nFor over two decades\, Railroad Earth has captivated audiences with gleefully unpredictable live shows and eloquent and elevated studio output. The group introduced its signature sound on 2001’s The Black Bear Sessions. Between selling out hallowed venues such as Red Rocks Amphitheatre in Morrison\, CO\, they’ve been responsible for launching signature festivals Hangtown Music Festival in Placerville\, CA and Hillberry: The Harvest Moon Festival in Eureka Springs\, AR. Sought after by legends\, the John Denver Estate tapped them to put lyrics penned by the late John Denver to music on the 2019 vinyl EP\, Railroad Earth: The John Denver Letters. Beyond tallying tens of millions of streams\, the collective have earned widespread critical acclaim from David Fricke of Rolling Stone\, American Songwriter\, Glide Magazine\, and NPR who assured\, “Well-versed in rambling around\, as you might expect from a band named after a Jack Kerouac poem\, the New Jersey-built jam-grass engine Railroad Earth has let no moss grow under its rustic wheels.” \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS ON SALE 11/13 @ 10 AM\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/railroad-earth/
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/1_16-Image_640by360.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270119T183000
DTEND;TZID=America/Denver:20270119T235900
DTSTAMP:20261105T182915Z
CREATED:20261026T220052Z
LAST-MODIFIED:20261105T182915Z
UID:21685-1800383400-1800403140@tacaw.org
SUMMARY:Film: The River
DESCRIPTION:The River\n\n\n\n\n\n\n\n\n\n\n\nFILM 6:30 PM / DOORS 5:30 PM \n\n\n\nGENERAL ADMISSION $15 \n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nSHOW @ 6:30 PM / DOORS @ 5:30 PM \n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaserPRESENTED IN PARTNERSHIP WITH ROARING FORK CONSERVANCY \n\n\n\n\n\n\n\nABOUT THE RIVER \n\n\n\n\n\n\n\nGenre: FILM \n\n\n\nThe River is an urgent\, intimate journey into the Colorado River crisis at an unprecedented time when renegotiations will determine the future for millions of lives\, and the river’s own survival. \n\n\n\nNarrated and co-written by Chyenne Klemme\, a Navajo educator and river guide who grew up at the river’s edge\, The River follows a community of basin residents whose lives and livelihoods are bound up in the Colorado River. \n\n\n\nABOUT ROARING FORK CONSERVANCY \n\n\n\nWEBSITE / INSTAGRAM / FACEBOOK / YOUTUBE \n\n\n\nSince 1996\, Roaring Fork Conservancy has inspired people to explore\, value\, and protect the Roaring Fork Watershed. We bring people together to protect our rivers and work hard to keep water in local streams\, monitor water quality\, and preserve riparian habitat. \n\n\n\nAs one of the largest watershed organizations in Colorado\, Roaring Fork Conservancy serves residents and visitors throughout the Roaring Fork Valley through school and community-based Watershed Education programs and Watershed Science and Policy Projects including regional watershed planning\, water resource policy initiatives\, stream management\, and restoration.  \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 5:30 pm\n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/film-the-river/
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/10/1_19-Image_640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270120T200000
DTEND;TZID=America/Denver:20270120T235900
DTSTAMP:20260930T201548Z
CREATED:20260922T160000Z
LAST-MODIFIED:20260930T201548Z
UID:21242-1800475200-1800489540@tacaw.org
SUMMARY:John Craigie & The Bones of J.R. Jones Night 1
DESCRIPTION:John Craigie & The Bones of J.R. Jones\n\n\n\n\n\n\n\n\n\n\n\nDoors 7:00pm / Show 8:00pm \n\n\n\n$55 MEMBER / $60 ADVANCE / $70 DAY OF \n\n\n\nPRICING DETAILS BELOW \n\n\n\nSEATED SHOW / 18+ Valid Photo ID Required \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS 1/20\n\n\n\nTICKES 1/21\n\n\n\n\n\n\n\n\n TICKET SALES ARE FINALLIMIT OF 4 TICKETS PER PURCHASER \n\n\n\n\n\n\n\nABOUT JOHN CRAIGIE\n\n\n\n\n\n\n\nGenre: Singer/Songwriter \n\n\n\nWEBSITE / FACEBOOK  / INSTAGRAM / YOUTUBE / SPOTIFY \n\n\n\nFor over a decade\, John Craigie has made music that brings people in\, not with spectacle but with sincerity and songs that feel like conversations. \n\n\n\nHis new album I Swam Here\, out February 6\, 2026 on Zabriskie Point Records\, was written and produced by Craigie and recorded between New Orleans and Astoria. Seven tracks were cut at Deslonde St Studios with musicians handpicked by Sam Doores of The Deslondes\, including Howe Pearson\, Max Bien Khan\, Jonny Campos\, and a guest appearance from Desiree Cannon. Longtime collaborator Anna Moss appears across much of the record. The remaining tracks were finished at the Rope Room in Astoria\, carrying over the same spirit and palette. The cover art\, painted by Brittany Schall\, nods to the design of mid century samba and jazz records. \n\n\n\nThe album’s singles trace the path of its making. “Fire Season\,” engineered by Bart Budwig\, was one of the first songs written and features Cooper Trail\, Nevada Sowle\, Luke Ydstie\, and Jamie Greenan. “Dry Land” was reworked in Astoria after early New Orleans sessions didn’t feel right. “Edna Strange\,” inspired by Marty Robbins\, is the only track where Craigie plays steel string acoustic\, with Max Bien Khan on nylon string leads and a trio vocal arrangement in place of Moss’s harmonies. \n\n\n\nFollowing 2024’s Pagan Church with TK & The Holy Know-Nothings\, which spent six weeks at #1 on the Americana Albums chart\, I Swam Here feels both expansive and intimate\, shaped by the musical history of the Gulf Coast and the stillness of the Pacific Northwest. \n\n\n\nCraigie remains a tireless live performer\, touring throughout the U.S.\, Europe\, and Australia\, appearing at festivals like Newport Folk\, Pickathon\, Edmonton Folk Festival\, and High Sierra\, and sharing the stage with artists such as Langhorne Slim\, Sierra Hull\, Gregory Alan Isakov\, Brett Dennen\, and Jack Johnson. His annual #KeepItWarm Tour donates $1 from every ticket sold to regional nonprofits\, and his John Craigie On The River trips on the Tuolumne and Rogue rivers have become cherished gatherings for fans. \n\n\n\nI Swam Here is a grounded\, collaborative step forward\, blending New Orleans grit with Pacific Northwest quiet\, and showing a songwriter still widening the world of his music. \n\n\n\n\n\n\n\nABOUT THE BONES OF J.R. JONES\n\n\n\nGenre: Singer/Songwriter \n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / YOUTUBE / SPOTIFY \n\n\n\nThe Bones of J.R. Jones: Jonathon Linaberry looks back on Radio Waves\, his sixth album as The Bones Of J.R. Jones\, but there’s more than just nostalgia at play. Recorded with producer Robbie Lackritz (Feist\, Bahamas)\, the collection is moody and hypnotic\, drawing on the sonic landscape of Linaberry’s youth as it reckons with the doubt and uncertainty of adulthood. The arrangements are entrancing\, built on the tension between acoustic instruments and retro synthesizers\, and Linaberry’s performances are raw and visceral\, at times aching in their vulnerability. Put it all together and you’ve got a poignant exploration of memory and longing delivered by a relentless searcher\, a revelatory work of personal reflection rooted in the endless beauty\, pain\, and chaos of growing up. \n\n\n\nBorn in central New York\, Linaberry got his start playing in punk bands before becoming enamored with the field recordings of Alan Lomax. He launched The Bones of J.R. Jones in 2012 and began releasing a series of albums and EPs that would land his songs in films and TV shows like True Detective\, Suits\, and Daredevil\, and lead to countless tours across the US and Europe\, including stops everywhere from Telluride Blues to Hardly Strictly Bluegrass. Along the way\, Linaberry would also share bills with the likes of The Wallflowers\, G. Love\, and The Devil Makes Three\, soundtrack an Amazon commercial helmed by Oscar-winning director Taika Waititi\, and earn praise from Billboard\, American Songwriter\, Under the Radar\, and more.  \n\n\n\n\n\n\n\n\nTICKETS 1/20\n\n\n\nTICKETS 1/21\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / 18+ Valid Photo ID Required\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/john-craigie-the-bones-of-j-r-jones-night-1/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/09/1_20-21-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270121T200000
DTEND;TZID=America/Denver:20270121T235900
DTSTAMP:20260930T201737Z
CREATED:20260922T160000Z
LAST-MODIFIED:20260930T201737Z
UID:21287-1800561600-1800575940@tacaw.org
SUMMARY:John Craigie & The Bones of J.R. Jones Night 2
DESCRIPTION:John Craigie & The Bones of J.R. Jones\n\n\n\n\n\n\n\n\n\n\n\nDoors 7:00pm / Show 8:00pm \n\n\n\n$55 MEMBER / $60 ADVANCE / $70 DAY OF \n\n\n\nPRICING DETAILS BELOW \n\n\n\nSEATED SHOW / 18+ Valid Photo ID Required \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS 1/20\n\n\n\nTICKETS 1/21\n\n\n\n\n\n\n\n\n TICKET SALES ARE FINALLIMIT OF 4 TICKETS PER PURCHASER \n\n\n\n\n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT JOHN CRAIGIE\n\n\n\n\n\n\n\nGenre: Singer/Songwriter \n\n\n\nWEBSITE / FACEBOOK  / INSTAGRAM / YOUTUBE / SPOTIFY \n\n\n\nFor over a decade\, John Craigie has made music that brings people in\, not with spectacle but with sincerity and songs that feel like conversations. \n\n\n\nHis new album I Swam Here\, out February 6\, 2026 on Zabriskie Point Records\, was written and produced by Craigie and recorded between New Orleans and Astoria. Seven tracks were cut at Deslonde St Studios with musicians handpicked by Sam Doores of The Deslondes\, including Howe Pearson\, Max Bien Khan\, Jonny Campos\, and a guest appearance from Desiree Cannon. Longtime collaborator Anna Moss appears across much of the record. The remaining tracks were finished at the Rope Room in Astoria\, carrying over the same spirit and palette. The cover art\, painted by Brittany Schall\, nods to the design of mid century samba and jazz records. \n\n\n\nThe album’s singles trace the path of its making. “Fire Season\,” engineered by Bart Budwig\, was one of the first songs written and features Cooper Trail\, Nevada Sowle\, Luke Ydstie\, and Jamie Greenan. “Dry Land” was reworked in Astoria after early New Orleans sessions didn’t feel right. “Edna Strange\,” inspired by Marty Robbins\, is the only track where Craigie plays steel string acoustic\, with Max Bien Khan on nylon string leads and a trio vocal arrangement in place of Moss’s harmonies. \n\n\n\nFollowing 2024’s Pagan Church with TK & The Holy Know-Nothings\, which spent six weeks at #1 on the Americana Albums chart\, I Swam Here feels both expansive and intimate\, shaped by the musical history of the Gulf Coast and the stillness of the Pacific Northwest. \n\n\n\nCraigie remains a tireless live performer\, touring throughout the U.S.\, Europe\, and Australia\, appearing at festivals like Newport Folk\, Pickathon\, Edmonton Folk Festival\, and High Sierra\, and sharing the stage with artists such as Langhorne Slim\, Sierra Hull\, Gregory Alan Isakov\, Brett Dennen\, and Jack Johnson. His annual #KeepItWarm Tour donates $1 from every ticket sold to regional nonprofits\, and his John Craigie On The River trips on the Tuolumne and Rogue rivers have become cherished gatherings for fans. \n\n\n\nI Swam Here is a grounded\, collaborative step forward\, blending New Orleans grit with Pacific Northwest quiet\, and showing a songwriter still widening the world of his music. \n\n\n\n\n\n\n\nABOUT THE BONES OF J.R. JONES\n\n\n\nGenre: Singer/Songwriter \n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / YOUTUBE / SPOTIFY \n\n\n\nThe Bones of J.R. Jones: Jonathon Linaberry looks back on Radio Waves\, his sixth album as The Bones Of J.R. Jones\, but there’s more than just nostalgia at play. Recorded with producer Robbie Lackritz (Feist\, Bahamas)\, the collection is moody and hypnotic\, drawing on the sonic landscape of Linaberry’s youth as it reckons with the doubt and uncertainty of adulthood. The arrangements are entrancing\, built on the tension between acoustic instruments and retro synthesizers\, and Linaberry’s performances are raw and visceral\, at times aching in their vulnerability. Put it all together and you’ve got a poignant exploration of memory and longing delivered by a relentless searcher\, a revelatory work of personal reflection rooted in the endless beauty\, pain\, and chaos of growing up. \n\n\n\nBorn in central New York\, Linaberry got his start playing in punk bands before becoming enamored with the field recordings of Alan Lomax. He launched The Bones of J.R. Jones in 2012 and began releasing a series of albums and EPs that would land his songs in films and TV shows like True Detective\, Suits\, and Daredevil\, and lead to countless tours across the US and Europe\, including stops everywhere from Telluride Blues to Hardly Strictly Bluegrass. Along the way\, Linaberry would also share bills with the likes of The Wallflowers\, G. Love\, and The Devil Makes Three\, soundtrack an Amazon commercial helmed by Oscar-winning director Taika Waititi\, and earn praise from Billboard\, American Songwriter\, Under the Radar\, and more.  \n\n\n\n\n\n\n\n\nTICKETS 1/20\n\n\n\nTICKETS 1/21\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / 18+ Valid Photo ID Required\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/john-craigie-the-bones-of-j-r-jones-night-2/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/09/1_20-21-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270124T190000
DTEND;TZID=America/Denver:20270124T235900
DTSTAMP:20261002T173348Z
CREATED:20260929T170000Z
LAST-MODIFIED:20261002T173348Z
UID:16020-1800817200-1800835140@tacaw.org
SUMMARY:The Lone Bellow
DESCRIPTION:The Lone Bellow\n\n\n\nW/ Support TBD \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:00 pm \n\n\n\n$55 MEMBER / $60 ADVANCE / $70 DAY OF \n\n\n\nSEATED SHOW / ALL AGES (Under 18 Must be accompanied by a Legal adult) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nLIMIT OF FOUR TICKETS PER PURCHASER ALL TICKET SALES ARE FINAL \n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN) \n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT THE LONE BELLOW\n\n\n\n\n\n\n\nGenre: Folk/Americana \n\n\n\nWEBSITE / FACEBOOK / YOUTUBE / INSTAGRAM / SPOTIFY \n\n\n\nWith their upcoming sixth studio album\, “What A Time To Be Alive”\, The Lone Bellow embarks on a bold new chapter while honoring the deep bonds that have defined their journey. Written collaboratively for the first time with their full touring band—founding members Zach Williams\, Brian Elmquist\, and Kanene Pipkin joined by drummer Julian Dorio and multi-instrumentalist Tyler Geertsma—the album channels the raw\, ecstatic energy of the band’s live show into a dynamic collection of songs that pulse with warmth\, honesty\, and human connection.Recorded live in Muscle Shoals\, AL\, after a writing retreat in a converted Kentucky firehouse\, the album is both a celebration and a reckoning: of friendship\, loss\, love\, and resilience. From the gritty\, Stones-tinged opener “After The Rain” to the soul-stirring closer “What A Time To Be Alive\,” the record captures the joy and vulnerability that have long defined The Lone Bellow’s sound—lush harmonies\, heartfelt lyrics\, and genre-blurring arrangements steeped in folk\, rock\, and gospel.  The album’s creation was marked by setbacks\, including the theft of early recordings\, but the outpouring of support from their fanbase reaffirmed what the band has always known: their music is a shared experience. That spirit echoes throughout the album\, whether in anthems like“Common Folk” and “I’m Here For You\,” or in intimate reflections like “You Were Leaving” and“Night Goes Black.”Since their acclaimed 2013 debut\, The Lone Bellow has appeared on The Tonight Show\, AustinCity Limits\, and The Late Show\, topped Americana charts\, and headlined storied venues from Carnegie Hall to the Ryman Auditorium. But with their next album\, they reaffirm their commitment not just to making music\, but to building community—on stage\, in song\, and around the table. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:00 pm\n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/the-lone-bellow/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2024/12/1_24-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270126T183000
DTEND;TZID=America/Denver:20270126T235900
DTSTAMP:20261105T183139Z
CREATED:20261027T160000Z
LAST-MODIFIED:20261105T183139Z
UID:17774-1800988200-1801007940@tacaw.org
SUMMARY:In Progress: DanceAspen With Noelle Kayser
DESCRIPTION:In Progress: DanceAspen\n\n\n\nW/ Noelle Kayser \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 6:00 pm \n\n\n\nFREE WITH RSVP \n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP 12/15\n\n\n\nRSVP 1/26\n\n\n\nRSVP 2/9\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 6:00 pm \n\n\n\nLimit of 4 RSVPS per pERSON \n\n\n\n\n\n\n\nABOUT IN PROGRESS WITH DANCEASPEN\n\n\n\n\n\n\n\nGENRE: DANCE / DISCUSSION \n\n\n\nDanceAspen’s In Progress series offers three opportunities to experience how a full evening-length work comes together. Step inside a working rehearsal of Take Me Home: Dances to the Music of John Denver and hear directly from the choreographers as each brings a distinct movement voice and style to a different section of the production. Follow the creative process as John Denver’s songs and soundscape take shape through dance\, culminating in the world premiere at the Wheeler Opera House on February 20–21\, 2027. \n\n\n\nDecember 15\, 2026: Jamar Roberts \n\n\n\n\n\n\n\n\n\n\n\nJamar Roberts (Miami\, FL)\, currently the Arnold Creative Associate at Large and Guest Faculty at The Juilliard School\, served as the Resident Choreographer of Alvin Ailey American Dance Theater from 2019 to 2022. He created five critically acclaimed works for the company\, including Members Don’t Get Weary\, Ode\, A Jam Session for Troubling Times\, Holding Space\, and In a Sentimental Mood. A graduate of the New World School of the Arts and the Ailey School\, Mr. Roberts has danced with Alvin Ailey American Dance Theater\, Ailey II\, and Complexions\, and won the 2016 Bessie Award for Outstanding Performer. His extensive choreographic commissions include the New York City Ballet\, San Francisco Ballet\, BalletX\, Juilliard\, Vail Dance Festival\, and Works & Process at the Guggenheim. \n\n\n\n\n\nJanuary 26\, 2027: Noelle Kayser \n\n\n\n\n\n\n\n\n\n\n\nNoelle Kayser is a Chicago-based choreographer working across dance\, opera\, and film. She is the Founding Resident Choreographer for Open Space\, a Whim W’Him Choreographic Shindig winner\, a BalletX Choreographic Fellow\, and a Jacob’s Pillow Fellow. She has created original works for DanceAspen\, Visceral Dance\, Bruce Wood\, and SALT\, and was named one of NewCity Magazine’s “The 50 People Who Really Perform for Chicago”. In addition to her choreography\, Noelle is an accomplished performer and actor\, having performed with NW Dance Project and Visceral Dance\, narrated 16 audiobooks for Audible\, and won a 2024 Jeff Award. \n\n\n\n\n\nFebruary 9\, 2027: Jonah Delgado & Matthew Gilmore \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJonah Delgado: Trained at the Academy of Dance Arts in Chicago\, Jonah attended summer intensives with Hubbard Street Dance Chicago\, American Ballet Theater\, and River North Dance Chicago. A graduate of Marymount Manhattan College\, he began his professional career with Aspen Santa Fe Ballet before joining BalletX in Philadelphia for two seasons. Most recently\, he performed with Mecklenburgisches Staatstheater Schwerin in Germany before returning to Aspen to join DanceAspen. \n\n\n\nMatthew Gilmore: Born and raised in Canton\, Massachusetts\, Matthew earned his BFA from The Juilliard School in 2019 and is a recipient of the 2018 Princess Grace Award in Dance. He received early training at The Gold School and Walnut Hill School for the Arts. Matthew joined Aspen Santa Fe Ballet in 2019 and went on to become a founding member and choreographer for DanceAspen. \n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT DANCEASPEN \n\n\n\nWEBSITE / INSTAGRAM \n\n\n\nIn 2021\, in response to the dissolution of the Roaring Fork Valley’s professional dance company\, a determined group of dancers led by Laurel Winton established a bold\, new contemporary company. Their grassroots effort quickly garnered local support\, culminating in a sold-out debut at the Wheeler Opera House. Rooted in the principles of collaboration\, community\, and artistic excellence\, their company has developed a significant reputation\, showcasing internationally renowned choreographers and creating 30+ world premieres. DanceAspen has also graced prominent stages at the Vail Dance Festival and Aspen Music Festival\, demonstrating their dedication to producing new contemporary dance while enhancing the cultural vibrancy of the Aspen area. \n\n\n\n\n\n\n\n\nVIEW CALENDAR\n\n\n\nRSVP 12/15\n\n\n\nRSVP 1/26\n\n\n\nRSVP 2/9\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 6:00 pm\n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian)\n\n\n\nLocation: TACAW\, 400 Robinson St\, Basalt\, CO 81621\n\n\n\n\n\n\nPresented By: TACAW
URL:https://tacaw.org/calendar/in-progress-two/
CATEGORIES:Dance
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2025/05/12_15-Image-640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270131T180000
DTEND;TZID=America/Denver:20270131T235900
DTSTAMP:20260717T191332Z
CREATED:20260609T140000Z
LAST-MODIFIED:20260717T191332Z
UID:20466-1801418400-1801439940@tacaw.org
SUMMARY:Comedian Brad Williams: The Big and Small Tour 6:00 PM
DESCRIPTION:Comedian Brad Williams: The Big and Small Tour\n\n\n\nW/ FEATURE TBD \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 6:00 pm / DOORS @ 5:00 pm \n\n\n\n$55 MEMBER / $60 ADVANCE / $70 DAY OF \n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n6:00 PM TICKETS\n\n\n\n8:30 PM TICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaserGroup Sales are available to our Business Advocates\, learn more \n\n\n\nSEATED SHOW 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT BRAD WILLIAMS\n\n\n\n\n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / TWITTER / YOUTUBE / SPOTIFY / TIKTOK \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBrad Williams’ latest stand-up special\, Live On Short Street\, is now streaming on YouTube\, continuing his run as one of the most dynamic and in-demand comedians in the world. His previous special\, Starfish\, went viral with over 9 million views\, cementing his place as one of the sharpest\, most original comedic voices working today. \n\n\n\nCurrently selling out theaters around the globe\, Brad delivers high-energy performances that blend personal storytelling\, razor-sharp punchlines\, and an irresistible charisma that leaves audiences on their feet. He also co hosts the fast-rising podcast Heightened Babble alongside fellow comic JB Ball\, where the two break down outrageous news\, life on the road\, and the absurd realities of the comedy world.  \n\n\n\nHe first took the mic as a teenager and never looked back\, racking up major TV appearances on The Tonight Show\, Jimmy Kimmel Live\, and Dave Attell’s Comedy Underground\, while building a run of hit specials including Showtime’s Fun Size and Daddy Issues. He has also appeared on Netflix’s The Degenerates and Comedy Central’s This Is Not Happening. \n\n\n\nBeyond the stage\, Brad co-created and co-hosted the long-running hit podcast About Last Night with Adam Ray\, a fixture on the podcast charts throughout its five-year run. He’s also been featured on some of the most influential comedy platforms in the world\, including The Joe Rogan Experience\, Your Mom’s House\, This Past Weekend with Theo Von\, Something’s Burning\, Are You Garbage\, and TigerBelly; introducing him to millions of listeners and further fueling his sold-out global tours. \n\n\n\nAs an actor\, Brad has showcased his comedic range on TV series such as Legit\, Sam & Cat\, Mind of Mencia\, and Deadbeat\, as well as in films including Little Evil\, Christopher Guest’s Mascots\, and Reno 911: It’s A Wonderful Heist. He also made history as the first stand-up comedian in Cirque du Soleil’s 30-year history to headline a production\, leading Mad Apple in Las Vegas to rave reviews. He recently appeared in the highly anticipated film Spinal Tap 2\, which premiered in September 2025. \n\n\n\nRobin Williams once called him “Prozac with a head\,” and it’s easy to see why—Brad doesn’t just tell jokes; he ignites a room. With fearless and deeply personal observations on disability\, relationships\, sex\, and race\, he continues to captivate audiences worldwide and prove that no topic—and no audience—is beyond his reach. \n\n\n\n\n\n\n\n\n6:00 PM TICKETS\n\n\n\n8:30 PM TICKETS\n\n\n\n\n\n\n\n\n\n\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:00 pm / DOORS @ 5:00 pm\n\n\n\nSHOW @ 8:30 PM / DOORS @ 8:00 PM\n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/comedian-brad-williams-the-big-and-small-tour-600-pm/
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/06/1_31-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270131T203000
DTEND;TZID=America/Denver:20270131T235900
DTSTAMP:20260717T191436Z
CREATED:20260609T140000Z
LAST-MODIFIED:20260717T191436Z
UID:20476-1801427400-1801439940@tacaw.org
SUMMARY:Comedian Brad Williams: The Big and Small Tour 8:30 PM
DESCRIPTION:Comedian Brad Williams: The Big and Small Tour\n\n\n\nW/ FEATURE TBD \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:30 pm / DOORS @ 8:00 pm \n\n\n\n$55 MEMBER / $60 ADVANCE / $70 DAY OF \n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n6:00 PM TICKETS\n\n\n\n8:30 PM TICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaserGroup Sales are available to our Business Advocates\, learn more \n\n\n\nSEATED SHOW 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT BRAD WILLIAMS\n\n\n\n\n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / TWITTER / YOUTUBE / SPOTIFY / TIKTOK \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBrad Williams’ latest stand-up special\, Live On Short Street\, is now streaming on YouTube\, continuing his run as one of the most dynamic and in-demand comedians in the world. His previous special\, Starfish\, went viral with over 9 million views\, cementing his place as one of the sharpest\, most original comedic voices working today. \n\n\n\nCurrently selling out theaters around the globe\, Brad delivers high-energy performances that blend personal storytelling\, razor-sharp punchlines\, and an irresistible charisma that leaves audiences on their feet. He also co hosts the fast-rising podcast Heightened Babble alongside fellow comic JB Ball\, where the two break down outrageous news\, life on the road\, and the absurd realities of the comedy world.  \n\n\n\nHe first took the mic as a teenager and never looked back\, racking up major TV appearances on The Tonight Show\, Jimmy Kimmel Live\, and Dave Attell’s Comedy Underground\, while building a run of hit specials including Showtime’s Fun Size and Daddy Issues. He has also appeared on Netflix’s The Degenerates and Comedy Central’s This Is Not Happening. \n\n\n\nBeyond the stage\, Brad co-created and co-hosted the long-running hit podcast About Last Night with Adam Ray\, a fixture on the podcast charts throughout its five-year run. He’s also been featured on some of the most influential comedy platforms in the world\, including The Joe Rogan Experience\, Your Mom’s House\, This Past Weekend with Theo Von\, Something’s Burning\, Are You Garbage\, and TigerBelly; introducing him to millions of listeners and further fueling his sold-out global tours. \n\n\n\nAs an actor\, Brad has showcased his comedic range on TV series such as Legit\, Sam & Cat\, Mind of Mencia\, and Deadbeat\, as well as in films including Little Evil\, Christopher Guest’s Mascots\, and Reno 911: It’s A Wonderful Heist. He also made history as the first stand-up comedian in Cirque du Soleil’s 30-year history to headline a production\, leading Mad Apple in Las Vegas to rave reviews. He recently appeared in the highly anticipated film Spinal Tap 2\, which premiered in September 2025. \n\n\n\nRobin Williams once called him “Prozac with a head\,” and it’s easy to see why—Brad doesn’t just tell jokes; he ignites a room. With fearless and deeply personal observations on disability\, relationships\, sex\, and race\, he continues to captivate audiences worldwide and prove that no topic—and no audience—is beyond his reach. \n\n\n\n\n\n\n\n\n6:00 PM TICKETS\n\n\n\n8:30 PM TICKETS\n\n\n\n\n\n\n\n\n\n\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:00 pm / DOORS @ 5:00 pm\n\n\n\nSHOW @ 8:30 PM / DOORS @ 8:00 PM\n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/comedian-brad-williams-the-big-and-small-tour-830-pm/
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/06/1_31-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270209T183000
DTEND;TZID=America/Denver:20270209T235900
DTSTAMP:20261027T182038Z
CREATED:20261027T160000Z
LAST-MODIFIED:20261027T182038Z
UID:18675-1802197800-1802217540@tacaw.org
SUMMARY:In Progress: DanceAspen With Jonah Delgado & Matthew Gilmore
DESCRIPTION:In Progress: DanceAspen\n\n\n\nW/ Jonah Delgado and Matthew Gilmore \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 6:00 pm \n\n\n\nFREE WITH RSVP \n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP 12/15\n\n\n\nRSVP 1/26\n\n\n\nRSVP 2/9\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 6:00 pm \n\n\n\nLimit of 4 RSVPS per pERSON \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT IN PROGRESS WITH DANCEASPEN\n\n\n\n\n\n\n\nGENRE: DANCE / DISCUSSION \n\n\n\nDanceAspen’s In Progress series offers three opportunities to experience how a full evening-length work comes together. Step inside a working rehearsal of Take Me Home: Dances to the Music of John Denver and hear directly from the choreographers as each brings a distinct movement voice and style to a different section of the production. Follow the creative process as John Denver’s songs and soundscape take shape through dance\, culminating in the world premiere at the Wheeler Opera House on February 20–21\, 2027. \n\n\n\nDecember 15\, 2026: Jamar Roberts \n\n\n\n\n\n\n\n\n\n\n\nJamar Roberts (Miami\, FL)\, currently the Arnold Creative Associate at Large and Guest Faculty at The Juilliard School\, served as the Resident Choreographer of Alvin Ailey American Dance Theater from 2019 to 2022. He created five critically acclaimed works for the company\, including Members Don’t Get Weary\, Ode\, A Jam Session for Troubling Times\, Holding Space\, and In a Sentimental Mood. A graduate of the New World School of the Arts and the Ailey School\, Mr. Roberts has danced with Alvin Ailey American Dance Theater\, Ailey II\, and Complexions\, and won the 2016 Bessie Award for Outstanding Performer. His extensive choreographic commissions include the New York City Ballet\, San Francisco Ballet\, BalletX\, Juilliard\, Vail Dance Festival\, and Works & Process at the Guggenheim. \n\n\n\n\n\nJanuary 26\, 2027: Noelle Kayser \n\n\n\n\n\n\n\n\n\n\n\nNoelle Kayser is a Chicago-based choreographer working across dance\, opera\, and film. She is the Founding Resident Choreographer for Open Space\, a Whim W’Him Choreographic Shindig winner\, a BalletX Choreographic Fellow\, and a Jacob’s Pillow Fellow. She has created original works for DanceAspen\, Visceral Dance\, Bruce Wood\, and SALT\, and was named one of NewCity Magazine’s “The 50 People Who Really Perform for Chicago”. In addition to her choreography\, Noelle is an accomplished performer and actor\, having performed with NW Dance Project and Visceral Dance\, narrated 16 audiobooks for Audible\, and won a 2024 Jeff Award. \n\n\n\n\n\nFebruary 9\, 2027: Jonah Delgado & Matthew Gilmore \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJonah Delgado: Trained at the Academy of Dance Arts in Chicago\, Jonah attended summer intensives with Hubbard Street Dance Chicago\, American Ballet Theater\, and River North Dance Chicago. A graduate of Marymount Manhattan College\, he began his professional career with Aspen Santa Fe Ballet before joining BalletX in Philadelphia for two seasons. Most recently\, he performed with Mecklenburgisches Staatstheater Schwerin in Germany before returning to Aspen to join DanceAspen. \n\n\n\nMatthew Gilmore: Born and raised in Canton\, Massachusetts\, Matthew earned his BFA from The Juilliard School in 2019 and is a recipient of the 2018 Princess Grace Award in Dance. He received early training at The Gold School and Walnut Hill School for the Arts. Matthew joined Aspen Santa Fe Ballet in 2019 and went on to become a founding member and choreographer for DanceAspen. \n\n\n\n\n\n\n\n\n\n\n\n\n\nABOUT DANCEASPEN \n\n\n\nWEBSITE / INSTAGRAM \n\n\n\nIn 2021\, in response to the dissolution of the Roaring Fork Valley’s professional dance company\, a determined group of dancers led by Laurel Winton established a bold\, new contemporary company. Their grassroots effort quickly garnered local support\, culminating in a sold-out debut at the Wheeler Opera House. Rooted in the principles of collaboration\, community\, and artistic excellence\, their company has developed a significant reputation\, showcasing internationally renowned choreographers and creating 30+ world premieres. DanceAspen has also graced prominent stages at the Vail Dance Festival and Aspen Music Festival\, demonstrating their dedication to producing new contemporary dance while enhancing the cultural vibrancy of the Aspen area. \n\n\n\n\n\n\n\n\nVIEW CALENDAR\n\n\n\nRSVP 12/15\n\n\n\nRSVP 1/26\n\n\n\nRSVP 2/9\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:30 pm / DOORS @ 6:00 pm\n\n\n\nSEATED SHOW / ALL AGES (Under 18 must be accompanied by a legal guardian)\n\n\n\nLocation: TACAW\, 400 Robinson St\, Basalt\, CO 81621\n\n\n\n\n\n\n\n\n\n\nPresented By: TACAW
URL:https://tacaw.org/calendar/in-progress-night-three/
CATEGORIES:Dance
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2025/05/12_15-Image-640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270211T190000
DTEND;TZID=America/Denver:20270211T235900
DTSTAMP:20261111T225749Z
CREATED:20261111T225742Z
LAST-MODIFIED:20261111T225749Z
UID:21955-1802372400-1802390340@tacaw.org
SUMMARY:National Theatre Live: Golden Boy
DESCRIPTION:National Theatre Live: Golden Boy\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:30 pm \n\n\n\n$30 GENERAL ADMISSION \n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nRECOMMENDED FOR AGES 12+RUN TIME: 2 HOUR 36 MINUTES (INCLUDING INTERMISSION)LIMIT OF 4 TICKETS PER PURCHASERALL TICKET SALES ARE FINAL \n\n\n\n\n\n\n\n\n\n\n\nABOUT GOLDEN BOY\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWritten By Clifford OdetsDirected By Sam YatesAge Recommended 12+Run Time: 2 Hours 36 Minutes (Including Intermission) \n\n\n\nJosh O’Connor (The Crown; Challengers) leads the cast in this searing revival of Clifford Odets’ knockout Americanclassic. \n\n\n\n1930s New York\, at the height of the Depression. Joe Bonaparte is a gifted young violinist with a future in music\, untila chance at fame and fortune lures him into the brutal world of professional boxing. He must confront what he’s willingto sacrifice\, who he’s willing to become and how to find his place in a world that demands he choose a side. \n\n\n\nBrought to life with a live string quartet and filmed live from the Almeida Theatre. Olivier Award-winner Sam Yates(Vanya) directs this propulsive drama exploring ambition\, identity\, and the high price of success. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:30 pm\n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/national-theatre-live-golden-boy/
CATEGORIES:Film,Theatre
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/2_11-Image_640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270213T200000
DTEND;TZID=America/Denver:20270213T235900
DTSTAMP:20261105T183406Z
CREATED:20261104T170000Z
LAST-MODIFIED:20261105T183406Z
UID:21781-1802548800-1802563140@tacaw.org
SUMMARY:Young & Dead
DESCRIPTION:Young & Dead\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$25 ADVANCE / $35 DAY OF \n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser \n\n\n\n\n\n\n\nABOUT YOUNG & DEAD\n\n\n\nGenre: TRIBute / Jam \n\n\n\nWEBSITE / INSTAGRAM / FACEBOOK \n\n\n\nYoung and Dead is an exciting culmination of musicians in their early 20’s from Boulder\, Colorado. With a unique ability to not just play the catalog\, but actively explore and experiment\, this band embodies the energy that made the Grateful Dead so compelling. By bringing a refreshing and exciting psychedelic intensity to each performance\, Young and Dead engages the younger crowd and consistently exceeds the expectations of experienced heads. This is no nostalgia act – this is a group of seriously dedicated musical explorers on a mission to keep the authentic spirit of the Grateful Dead alive. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/young-dead/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/2_13-Image_640by360-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270218T200000
DTEND;TZID=America/Denver:20270218T235900
DTSTAMP:20260930T200454Z
CREATED:20260916T180000Z
LAST-MODIFIED:20260930T200454Z
UID:21239-1802980800-1802995140@tacaw.org
SUMMARY:The Floozies
DESCRIPTION:The FLoozies\n\n\n\nW/ CUT RUGS \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$45 MEMBER / $50 ADVANCE / $55 DAY OF \n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser. \n\n\n\n\n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT THE FLOOZIES\n\n\n\n\n\n\n\nGENRE: ELECTRO-FUNK \n\n\n\nWEBSITE / INSTAGRAM / YOUTUBE / SPOTIFY / SOUNDCLOUD \n\n\n\nBrothers Matt and Mark Hill are the sonic visionaries behind electronic-funk powerhouse The Floozies. Certified heavyweights in the world of jam and future-groove\, the Kansas City-based tandem champion authentic funk in the digital age. \n\n\n\nFamiliar with sold-out shows across the country including their annual hometown Funk Street festival\, prominent festival appearances at Bonnaroo\, Electric Forest\, High Sierra\, Summercamp\, Wakarusa\, Camp Bisco\, Summerset\, Bumbershoot\, and headlining Red Rocks shows\, their formidable sound is continuously celebrated from coast to coast. \n\n\n\nABOUT CUT RUGS\n\n\n\nINSTAGRAM / FACEBOOK / TWITTER / SPOTIFY / SOUNDCLOUD \n\n\n\n\n\n\n\n\n\n\n\nComing from the cultural hub of Asheville\, NC\, Cut Rugs has coalesced an intoxicating blend of passionate\, energetic and psychedelic sound. Inspired by the unique music heard through the diverse club scene of his home town\, Cut Rugs has his hand in every genre present within the electronic music realm. The upbeat and energetic flow to his live performances have left fans across the US begging for more\, receiving praise as one of the most dance inspiring movements many have seen. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/the-floozies/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/09/2_18-Image_640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270225T193000
DTEND;TZID=America/Denver:20270225T235900
DTSTAMP:20261027T190448Z
CREATED:20261020T170000Z
LAST-MODIFIED:20261027T190448Z
UID:14447-1803583800-1803599940@tacaw.org
SUMMARY:Los Lobos
DESCRIPTION:Los Lobos\n\n\n\nW/ Drunken Hearts \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 7:30 pm / DOORS @ 6:30 pm \n\n\n\n$60 MEMBER / $65 General Admission \n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser \n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT LOS LOBOS\n\n\n\n\n\n\n\nGENRE ROCK \n\n\n\nWEBSITE / FACEBOOK / INSTAGRAM / YOUTUBE / SPOTIFY \n\n\n\nIt’s a matter of time. 50 years to be exact. And in that time Los Lobos have created an unprecedented body of work\, a legacy of greatness. The numbers are staggering: 100+ gigs a year for five decades running\, crossing millions of miles to rock millions of fans. And that’s just at the live shows. In between they’ve recorded 17 studio albums\, 7 live LPs\, 3 compilations\, 2 EPs\, 2 DVDs\, and contributed 40+ guest appearances on their friends’ recordings—all garnering 4 Grammys\, an Austin City Limits Hall of Fame induction\, the ALMA Ritchie Valens Pioneer Award\, NEA and Hispanic Heritage Foundation Honors\, Congressional recognitions\, plus countless “Keys to the City” and “Los Lobos Day” celebrations. And those are just a few of the highlights. But beyond all the hoopla and applause (and the source of it all\, really) is the tremendous heart. Rather\, hearts. Cinco corazones. Five blood brothers who have dedicated their off-stage time to helping others\, working for peace and justice\, penning some of the most literate and important music of their time\, transforming the hard cries from the East L.A. barrio into songs of hope\, tales of common folk finding ways to endure. The young wolves were weaned on late-night radio’s soul\, R&B\, and doo-wop. Were cured through the African-American currents of the blues\, jazz\, and rock ‘n’ roll. An amalgam. As proud Chicanos\, their songs have always glistened with the distillation from their Mexican and Latin American roots—nourished by Norteña and rancheras\, buoyed by bolero and cumbias\, soaring on the rhythms of son huasteco and son jarocho. Los Lobos have helped spread the rich diversity of cultures across every continent\, throughout the global community. Kids in Antwerp now know about Aztlán. Residents of Luxor and Ghana are crooning Lalo Guerrero. People from Laos and Bulgaria are belting “La Bamba”—all thanks to The Wolves as cultural ambassadors. Talk about a living legacy. Talk about a productive half century. And in the true rebel spirit\, they did it all on their own terms\, against formula. For the ages. To our delight. Quite simply\, they are one of the tightest\, one of the best\, one of the most prolific bands ever. And\, amazingly\, with the original founding members as the pack the entire time. Unprecedented. As their liner notes put it\, quite simply: “Los Lobos still are David Hidalgo\, Louie Pérez\, Jr.\, Cesar Rosas\, Conrad Lozano\, Steve Berlin.” \n\n\n\n\n\n\n\nDRUNKEN HEARTS\n\n\n\n\n\n\n\nWEBSITE / INSTAGRAM / FACEBOOK / YOUTUBE / SPOTIFY / APPLE MUSIC \n\n\n\n\n\n\n\n\n\n\n\nBreak Never Bend isn’t just the title of Drunken Hearts’ fourth full-length album\, it’s a manifesto. A portrait of a “free land” where people would rather shatter than surrender. A place where principles matter more than comfort. It’s also singer/songwriter Andrew McConathy staring back at himself: a decade-plus of choosing the hard road\, of refusing to smooth the rough edges\, of breaking rather than bending. It cost him. But it kept his band alive. \n\n\n\nProduced by six-time Grammy winner Steve Berlin of Los Lobos\, Break Never Bend is the album McConathy was born to make. Uncompromising\, ambitious\, earned through over a decade of grinding and finding his sound from coast to coast: The Green Parrot\, Key West. Brooklyn Bowl\, New York. FloydFest\, The Fillmore\, and his own Yarmony Music Festival on the Colorado River. Plus Red Rocks. \n\n\n\nLouisiana-born and Colorado-raised\, McConathy leads Drunken Hearts with an unpolished\, defiant vocal that refuses to apologize. Channeled through James Dumm on guitars\, Drew Packard on bass\, and Eric Low on drums\, it’s an outlaw country-rock sound forged on stage long before it reached a studio. Berlin captured it without sanding it down. Break Never Bend is what happens when you don’t compromise. Due 2027. \n\n\n\n\n\n\n\n\nTICKETs\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 7:30 pm / DOORS @ 6:30 pm\n\n\n\nSTANDING ROOM SHOW\n\n\n\n18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/los-lobos/
LOCATION:TACAW\, 400 Robinson Street\, Basalt\, 81621\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2024/05/2_25-Image-640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270305T200000
DTEND;TZID=America/Denver:20270305T235900
DTSTAMP:20261001T173010Z
CREATED:20260915T170000Z
LAST-MODIFIED:20261001T173010Z
UID:21017-1804276800-1804291140@tacaw.org
SUMMARY:The Jerry Douglas Band
DESCRIPTION:The Jerry Douglas Band\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$48 MEMBER / $53 ADVANCE / $60 DAY OF \n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser \n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT THE JERRY DOUGLAS BAND\n\n\n\nGenre: Bluegrass / Folk / Americana \n\n\n\nWEBSITE / SPOTIFY / APPLE MUSIC / YOUTUBE / INSTAGRAM / FACEBOOK / TWITTER \n\n\n\nDobro master and 16-time Grammy winner Jerry Douglas is a bandleader\, producer\, session musician\, instructor\, and a very funny guy! He’s produced over a hundred albums and he’s featured on over 1\,600 studio albums. He’s a member of Alison Kraus & Union Station\, co-bandleader for Transatlantic Sessions in the United Kingdom\, founder for the Grammy winner bluegrass super-group The Earls of Leicester\, and he leads The Jerry Douglas Band. \n\n\n\nSince 2017\, The Jerry Douglas Band has been forging new paths into the musical horizon with deep roots in bluegrass and folk that spreads out into the Americana and jazz landscapes. In 2021\, The Jerry Douglas Band released an album\, Leftover Feelings\, with legendary singer songwriter John Hiatt. The album was nominated for a 2022 Grammy for “Best Americana Album\,” and their previous record What If also received a Grammy nomination for “Best Contemporary Instrumental Album.” They perform at some of the top US festivals such as Telluride Bluegrass Festival\, Pilgrimage Music Festival\, Big Ears Festival\, DelFest\, FreshGrass\, Grey Fox Bluegrass Festival\, Merlefest\, and many others. In addition to Douglas\, The Jerry Douglas Band includes Daniel Kimbro on bass\, Christian Sedelmyer on fiddle\, and Mike Seal on guitar. \n\n\n\nDaniel Kimbro \n\n\n\nRaised on American Roots music in and around Appalachia\, Daniel Kimbro is a multi Grammy-nominated bassist with numerous stage and studio appearances to his credit. Currently touring and recording with The Jerry Douglas Band\, The Earls of Leicester\, the Transatlantic Sessions and many others\, Daniel utilizes his extensive experience within Jazz\, Folk and Bluegrass genres to maintain a busy freelance career from his twin homes of Nashville and Knoxville\, Tennessee. \n\n\n\nChristian Sedelmyer \n\n\n\nChristian Sedelmyer is a daring and diversified musician who brings a 21st-century vision to the five-string violin. Raised in Erie\, PA and based in Nashville since 2008\, he’s been a member of the Jerry Douglas Band since Summer of 2014. In addition\, he’s forged two successful bands (The Farewell Drifters and 10 String Symphony) and become a valued side musician and collaborator in contemporary string band music. Sedelmyer contributed to the IBMA Award winning 2018 Instrumental Recorded Performance of the Year. He regularly collaborates and records with Andrew Marlin (Watchhouse)\, and his debut solo instrumental album\, Ravine Palace\, featuring Douglas\, Marlin\, Eli West (guitar) and Clint Mullican (bass) was released in 2020. \n\n\n\nMike Seal \n\n\n\nMike Seal is a twice grammy-nominated guitarist and composer based in Nashville\, TN. Originally from Bridgewater\, Virginia\, Mike has been touring and recording with a wide variety of bands including: The Jerry Douglas Band\, Sierra Hull\, Bob Lanzetti\, Viktor Kraus Band Jeff Sipe Trio\, Sarah Siskind\, Danny Barnes\, The Jeff Coffin Mu-tet\, Ike Stubblefield\, Yonrico Scott\, Keith L. Brown\, The Black Lillies\, and many others. Mike’s first solo EP\, Dogwoods\, released in 2018 and is available on Spotify and other streaming services. \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/the-jerry-douglas-band/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/08/3_5-Image_640by360-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270318T190000
DTEND;TZID=America/Denver:20270318T235900
DTSTAMP:20261111T233020Z
CREATED:20261111T233012Z
LAST-MODIFIED:20261111T233020Z
UID:21964-1805396400-1805414340@tacaw.org
SUMMARY:National Theatre Live: Fleabag
DESCRIPTION:National Theatre Live: Fleabag\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:30 pm \n\n\n\n$30 GENERAL ADMISSION \n\n\n\nSEATED SHOW / 18+ Valid photo Id required \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nRUN TIME: 80 MINUTESLIMIT OF 4 TICKETS PER PURCHASERALL TICKET SALES ARE FINAL \n\n\n\n\n\n\n\n\n\n\n\nABOUT FLEABAG\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWritten By Phoebe Waller-BridgeDirected By Vicky JonesRun Time: 80 Minutes \n\n\n\nWritten and performed by Phoebe Waller-Bridge (Fleabag\, Killing Eve) and directed by Vicky Jones\, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Following a box-office record-breaking run in cinemas in 2019\, the one woman show returns to cinemas to the big screen this summer.  \n\n\n\nFleabag may seem oversexed\, emotionally unfiltered and self-obsessed\, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat\, Fleabag suddenly finds herself with nothing to lose.  The hilarious\, award-winning play that inspired the BBC’s hit TV series Fleabag\, was filmed live on stage in London’s West End in 2019. \n\n\n\nPresented by DryWrite\, Soho Theatre and Annapurna Theatre. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 7:00 pm / DOORS @ 6:30 pm\n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/national-theatre-live-fleabag/
CATEGORIES:Film,Theatre
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/11/3_18-Image_640by360.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270319T200000
DTEND;TZID=America/Denver:20270319T235900
DTSTAMP:20261105T183630Z
CREATED:20261019T140000Z
LAST-MODIFIED:20261105T183630Z
UID:21046-1805486400-1805500740@tacaw.org
SUMMARY:Ruby Waters Suppre$$ions North American Tour
DESCRIPTION:Ruby Waters Suppre$$ions North american Tour\n\n\n\nW/ Support TBD \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm \n\n\n\n$31 MEMBER / $36 ADVANCE / $46 DAY OF \n\n\n\nSTANDING ROOM SHOW / 16+ (UNDER 18 Must Be accompanied by a legal guardian) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRuby Waters has partnered with PLUS1 so that $1 per ticket goes to supporting communities in need with access to essential\, life-saving resources\, including clean water and other basic needs. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser \n\n\n\nSTANDING ROOM SHOW / 16+ (Under 18 must be accompanied by a legal guardian) \n\n\n\n\n\n\n\nABOUT RUBY WATERS\n\n\n\n\n\n\n\nGenre: Singer/Songwriter / INDIE ROCK \n\n\n\nWEBSITE / YOUTUBE / INSTAGRAM / FACEBOOK / SPOTIFY/ APPLE MUSIC \n\n\n\nFrom her home in the BC mountains\, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase “to suppress.” \n\n\n\n“It’s the act of holding back or preventing something from developing\, functioning\, being seen or being expressed\,” she reads. It’s a definition she’s found deeply relatable over the last couple years. \n\n\n\n“A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself\,” Waters explains. “It’s also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite\, being weighed down almost underwater by suppressed emotions.” \n\n\n\nWaters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains\, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover\, wearing a collection of fishing lures as earrings and nose rings\, and being lifted by a hook out of the water on the back cover. \n\n\n\n“I’ve been dealing with addiction and mental health issues for a very long time\,” she admits. “This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so.” She states\, “It’s an acceptance album. Accepting all of these feelings\, wants\, and needs instead of suppressing them.” \n\n\n\nWritten and recorded with her longtime collaborators Sam Jackson Willows (The Beaches\, A Boogie Wit Da Hoodie)\, Harper (Burna Boy\, Russ)\, TJ Whitelaw (John Legend\, Syd) and mastering engineer Alec Ness (Alabama Shakes\, Sam Smith) over the last two years\, her 20-song opus honestly admits to many of the distractions and habits that she’s used to escape her real life: sex\, drugs\, nature\, and rock’n’roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. \n\n\n\n“There are some deeper songs and some more fun ones\, all mostly fueled with vices\,” she explains. Caught in the middle is album opener “SAME MISTAKES\,” a vulnerable\, dreamy prologue that sets the tone for Waters’ story. \n\n\n\n“I’m talking about being a piece of shit and not trying hard enough\,” she details. The hypnotic\, soulful track recounts the loop she’s been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like “OFTEN\,” she takes the cyclical nature of these experiences literally in the music\, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets. \n\n\n\nSingles “GET A GRIP” and “WET T-SHIRT” delve into a similar vice: sex. “WET T-SHIRT” explores how she has used physical connection to cope. She describes the grunge-y\, guitar and drum driven track as a “heavy\, erotic\, fantasy track\,” and it has come accompanied with a video of women having fun on dirt bikes. While that track offers the fun aspect of the vice\, “GET A GRIP” is the reality check. The spiralling lyrics are accompanied by a synth-y dream pop sound that makes the song float. \n\n\n\nThe relatable financial limitations that can keep a person feeling stuck is addressed on “PAY AS YOU GO.” It’s about the struggle everyone is fucking feeling in this economy\,” she says. It’s a life Waters is familiar with\, having spent her early adult life couch-surfing while making money as a busker in the streets of Toronto. \n\n\n\n“I’m still working towards the dream of paying off my family’s debt and to finally have a farm or something one day\,” she adds. That dream is further detailed on “RUNAWAY\,” where she expresses how much she wants to pay back her mom for all that she gave her. Waters’ mom serves as one of her biggest inspirations\, having been a singer herself. “I remember being in the back of the Legion all the time or in bars when I was really young watching her sing\,” Waters recalls of her childhood in Ontario. \n\n\n\nWaters is well on her way to accomplishing that. Busking led to her discovery\, and she released two EPS — 2019’s Almost Naked and 2020’s If It Comes Down to It — to critical acclaim. The latter received a Juno Award nomination for Alternative Album of the Year at the 2022 ceremony. She’s become a successful touring act along the way\, touring with heroes like Shakey Graves and Dallas Green and playing Osheaga Music Festival. \n\n\n\nFollowing the release of her 2024 debut album What’s the Point\, Waters has pinpointed the sound that feels truest to her. It’s a bit of nostalgia with raw acoustic moments that showcase both her strong songwriting and powerful voice. Musically\, she sees herself somewhere between the sounds of her two favorite artists: Rihanna and Nirvana. \n\n\n\n“I feel like I fall somewhere in the middle of a lit\, sexually powerful\, beautiful\, strong woman vibe\, and a more subdued\, elusive\, rocky\, lil’ angry boy vibe\,” she explains. “I feel like I’m battling between those two within myself often”. Waters knows that an even bigger battle is within herself. With SUPPRE$$IONS\, she’s had a stand-off with those vices. Now\, she’s aiming to lay down her weapons and see what happens next. \n\n\n\n“All this changes when I let these songs out\,” she affirms. “I can release.”From her home in the BC mountains\, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase “to suppress.” \n\n\n\n“It’s the act of holding back or preventing something from developing\, functioning\, being seen or being expressed\,” she reads. It’s a definition she’s found deeply relatable over the last couple years. \n\n\n\n“A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself\,” Waters explains. “It’s also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite\, being weighed down almost underwater by suppressed emotions.” \n\n\n\nWaters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains\, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover\, wearing a collection of fishing lures as earrings and nose rings\, and being lifted by a hook out of the water on the back cover. \n\n\n\n“I’ve been dealing with addiction and mental health issues for a very long time\,” she admits. “This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so.” She states\, “It’s an acceptance album. Accepting all of these feelings\, wants\, and needs instead of suppressing them.” \n\n\n\nWritten and recorded with her longtime collaborators Sam Jackson Willows (The Beaches\, A Boogie Wit Da Hoodie)\, Harper (Burna Boy\, Russ)\, TJ Whitelaw (John Legend\, Syd) and mastering engineer Alec Ness (Alabama Shakes\, Sam Smith) over the last two years\, her 20-song opus honestly admits to many of the distractions and habits that she’s used to escape her real life: sex\, drugs\, nature\, and rock’n’roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. \n\n\n\n“There are some deeper songs and some more fun ones\, all mostly fueled with vices\,” she explains. Caught in the middle is album opener “SAME MISTAKES\,” a vulnerable\, dreamy prologue that sets the tone for Waters’ story. \n\n\n\n“I’m talking about being a piece of shit and not trying hard enough\,” she details. The hypnotic\, soulful track recounts the loop she’s been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like “OFTEN\,” she takes the cyclical nature of these experiences literally in the music\, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets. \n\n\n\nSingles “GET A GRIP” and “WET T-SHIRT” delve into a similar vice: sex. “WET T-SHIRT” explores how she has used physical connection to cope. She describes the grunge-y\, guitar and drum driven track as a “heavy\, erotic\, fantasy track\,” and it has come accompanied with a video of women having fun on dirt bikes. While that track offers the fun aspect of the vice\, “GET A GRIP” is the reality check. The spiralling lyrics are accompanied by a synth-y dream pop sound that makes the song float. \n\n\n\nThe relatable financial limitations that can keep a person feeling stuck is addressed on “PAY AS YOU GO.” It’s about the struggle everyone is fucking feeling in this economy\,” she says. It’s a life Waters is familiar with\, having spent her early adult life couch-surfing while making money as a busker in the streets of Toronto. \n\n\n\n“I’m still working towards the dream of paying off my family’s debt and to finally have a farm or something one day\,” she adds. That dream is further detailed on “RUNAWAY\,” where she expresses how much she wants to pay back her mom for all that she gave her. Waters’ mom serves as one of her biggest inspirations\, having been a singer herself. “I remember being in the back of the Legion all the time or in bars when I was really young watching her sing\,” Waters recalls of her childhood in Ontario. \n\n\n\nWaters is well on her way to accomplishing that. Busking led to her discovery\, and she released two EPS — 2019’s Almost Naked and 2020’s If It Comes Down to It — to critical acclaim. The latter received a Juno Award nomination for Alternative Album of the Year at the 2022 ceremony. She’s become a successful touring act along the way\, touring with heroes like Shakey Graves and Dallas Green and playing Osheaga Music Festival. \n\n\n\nFollowing the release of her 2024 debut album What’s the Point\, Waters has pinpointed the sound that feels truest to her. It’s a bit of nostalgia with raw acoustic moments that showcase both her strong songwriting and powerful voice. Musically\, she sees herself somewhere between the sounds of her two favorite artists: Rihanna and Nirvana. \n\n\n\n“I feel like I fall somewhere in the middle of a lit\, sexually powerful\, beautiful\, strong woman vibe\, and a more subdued\, elusive\, rocky\, lil’ angry boy vibe\,” she explains. “I feel like I’m battling between those two within myself often”. Waters knows that an even bigger battle is within herself. With SUPPRE$$IONS\, she’s had a stand-off with those vices. Now\, she’s aiming to lay down her weapons and see what happens next. \n\n\n\n“All this changes when I let these songs out\,” she affirms. “I can release.”From her home in the BC mountains\, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase “to suppress.” \n\n\n\n“It’s the act of holding back or preventing something from developing\, functioning\, being seen or being expressed\,” she reads. It’s a definition she’s found deeply relatable over the last couple years. \n\n\n\n“A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself\,” Waters explains. “It’s also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite\, being weighed down almost underwater by suppressed emotions.” \n\n\n\nWaters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains\, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover\, wearing a collection of fishing lures as earrings and nose rings\, and being lifted by a hook out of the water on the back cover. \n\n\n\n“I’ve been dealing with addiction and mental health issues for a very long time\,” she admits. “This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so.” She states\, “It’s an acceptance album. Accepting all of these feelings\, wants\, and needs instead of suppressing them.” \n\n\n\nWritten and recorded with her longtime collaborators Sam Jackson Willows (The Beaches\, A Boogie Wit Da Hoodie)\, Harper (Burna Boy\, Russ)\, TJ Whitelaw (John Legend\, Syd) and mastering engineer Alec Ness (Alabama Shakes\, Sam Smith) over the last two years\, her 20-song opus honestly admits to many of the distractions and habits that she’s used to escape her real life: sex\, drugs\, nature\, and rock’n’roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. \n\n\n\n“There are some deeper songs and some more fun ones\, all mostly fueled with vices\,” she explains. Caught in the middle is album opener “SAME MISTAKES\,” a vulnerable\, dreamy prologue that sets the tone for Waters’ story. \n\n\n\n“I’m talking about being a piece of shit and not trying hard enough\,” she details. The hypnotic\, soulful track recounts the loop she’s been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like “OFTEN\,” she takes the cyclical nature of these experiences literally in the music\, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets. \n\n\n\nSingles “GET A GRIP” and “WET T-SHIRT” delve into a similar vice: sex. “WET T-SHIRT” explores how she has used physical connection to cope. She describes the grunge-y\, guitar and drum driven track as a “heavy\, erotic\, fantasy track\,” and it has come accompanied with a video of women having fun on dirt bikes. While that track offers the fun aspect of the vice\, “GET A GRIP” is the reality check. The spiralling lyrics are accompanied by a synth-y dream pop sound that makes the song float. \n\n\n\nThe relatable financial limitations that can keep a person feeling stuck is addressed on “PAY AS YOU GO.” It’s about the struggle everyone is fucking feeling in this economy\,” she says. It’s a life Waters is familiar with\, having spent her early adult life couch-surfing while making money as a busker in the streets of Toronto. \n\n\n\n“I’m still working towards the dream of paying off my family’s debt and to finally have a farm or something one day\,” she adds. That dream is further detailed on “RUNAWAY\,” where she expresses how much she wants to pay back her mom for all that she gave her. Waters’ mom serves as one of her biggest inspirations\, having been a singer herself. “I remember being in the back of the Legion all the time or in bars when I was really young watching her sing\,” Waters recalls of her childhood in Ontario. \n\n\n\nWaters is well on her way to accomplishing that. Busking led to her discovery\, and she released two EPS — 2019’s Almost Naked and 2020’s If It Comes Down to It — to critical acclaim. The latter received a Juno Award nomination for Alternative Album of the Year at the 2022 ceremony. She’s become a successful touring act along the way\, touring with heroes like Shakey Graves and Dallas Green and playing Osheaga Music Festival. \n\n\n\nFollowing the release of her 2024 debut album What’s the Point\, Waters has pinpointed the sound that feels truest to her. It’s a bit of nostalgia with raw acoustic moments that showcase both her strong songwriting and powerful voice. Musically\, she sees herself somewhere between the sounds of her two favorite artists: Rihanna and Nirvana. \n\n\n\n“I feel like I fall somewhere in the middle of a lit\, sexually powerful\, beautiful\, strong woman vibe\, and a more subdued\, elusive\, rocky\, lil’ angry boy vibe\,” she explains. “I feel like I’m battling between those two within myself often”. Waters knows that an even bigger battle is within herself. With SUPPRE$$IONS\, she’s had a stand-off with those vices. Now\, she’s aiming to lay down her weapons and see what happens next. \n\n\n\n“All this changes when I let these songs out\,” she affirms. “I can release.”From her home in the BC mountains\, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase “to suppress.” \n\n\n\n“It’s the act of holding back or preventing something from developing\, functioning\, being seen or being expressed\,” she reads. It’s a definition she’s found deeply relatable over the last couple years. \n\n\n\n“A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself\,” Waters explains. “It’s also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite\, being weighed down almost underwater by suppressed emotions.” \n\n\n\nWaters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains\, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover\, wearing a collection of fishing lures as earrings and nose rings\, and being lifted by a hook out of the water on the back cover. \n\n\n\n“I’ve been dealing with addiction and mental health issues for a very long time\,” she admits. “This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so.” She states\, “It’s an acceptance album. Accepting all of these feelings\, wants\, and needs instead of suppressing them.” \n\n\n\nWritten and recorded with her longtime collaborators Sam Jackson Willows (The Beaches\, A Boogie Wit Da Hoodie)\, Harper (Burna Boy\, Russ)\, TJ Whitelaw (John Legend\, Syd) and mastering engineer Alec Ness (Alabama Shakes\, Sam Smith) over the last two years\, her 20-song opus honestly admits to many of the distractions and habits that she’s used to escape her real life: sex\, drugs\, nature\, and rock’n’roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. \n\n\n\n“There are some deeper songs and some more fun ones\, all mostly fueled with vices\,” she explains. Caught in the middle is album opener “SAME MISTAKES\,” a vulnerable\, dreamy prologue that sets the tone for Waters’ story. \n\n\n\n“I’m talking about being a piece of shit and not trying hard enough\,” she details. The hypnotic\, soulful track recounts the loop she’s been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like “OFTEN\,” she takes the cyclical nature of these experiences literally in the music\, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets. \n\n\n\nSingles “GET A GRIP” and “WET T-SHIRT” delve into a similar vice: sex. “WET T-SHIRT” explores how she has used physical connection to cope. She describes the grunge-y\, guitar and drum driven track as a “heavy\, erotic\, fantasy track\,” and it has come accompanied with a video of women having fun on dirt bikes. While that track offers the fun aspect of the vice\, “GET A GRIP” is the reality check. The spiralling lyrics are accompanied by a synth-y dream pop sound that makes the song float. \n\n\n\nThe relatable financial limitations that can keep a person feeling stuck is addressed on “PAY AS YOU GO.” It’s about the struggle everyone is fucking feeling in this economy\,” she says. It’s a life Waters is familiar with\, having spent her early adult life couch-surfing while making money as a busker in the streets of Toronto. \n\n\n\n“I’m still working towards the dream of paying off my family’s debt and to finally have a farm or something one day\,” she adds. That dream is further detailed on “RUNAWAY\,” where she expresses how much she wants to pay back her mom for all that she gave her. Waters’ mom serves as one of her biggest inspirations\, having been a singer herself. “I remember being in the back of the Legion all the time or in bars when I was really young watching her sing\,” Waters recalls of her childhood in Ontario. \n\n\n\nWaters is well on her way to accomplishing that. Busking led to her discovery\, and she released two EPS — 2019’s Almost Naked and 2020’s If It Comes Down to It — to critical acclaim. The latter received a Juno Award nomination for Alternative Album of the Year at the 2022 ceremony. She’s become a successful touring act along the way\, touring with heroes like Shakey Graves and Dallas Green and playing Osheaga Music Festival. \n\n\n\nFollowing the release of her 2024 debut album What’s the Point\, Waters has pinpointed the sound that feels truest to her. It’s a bit of nostalgia with raw acoustic moments that showcase both her strong songwriting and powerful voice. Musically\, she sees herself somewhere between the sounds of her two favorite artists: Rihanna and Nirvana. \n\n\n\n“I feel like I fall somewhere in the middle of a lit\, sexually powerful\, beautiful\, strong woman vibe\, and a more subdued\, elusive\, rocky\, lil’ angry boy vibe\,” she explains. “I feel like I’m battling between those two within myself often”. Waters knows that an even bigger battle is within herself. With SUPPRE$$IONS\, she’s had a stand-off with those vices. Now\, she’s aiming to lay down her weapons and see what happens next. \n\n\n\n“All this changes when I let these songs out\,” she affirms. “I can release.”From her home in the BC mountains\, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase “to suppress.” \n\n\n\n“It’s the act of holding back or preventing something from developing\, functioning\, being seen or being expressed\,” she reads. It’s a definition she’s found deeply relatable over the last couple years. \n\n\n\n“A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself\,” Waters explains. “It’s also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite\, being weighed down almost underwater by suppressed emotions.” \n\n\n\nWaters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains\, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover\, wearing a collection of fishing lures as earrings and nose rings\, and being lifted by a hook out of the water on the back cover. \n\n\n\n“I’ve been dealing with addiction and mental health issues for a very long time\,” she admits. “This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so.” She states\, “It’s an acceptance album. Accepting all of these feelings\, wants\, and needs instead of suppressing them.” \n\n\n\nWritten and recorded with her longtime collaborators Sam Jackson Willows (The Beaches\, A Boogie Wit Da Hoodie)\, Harper (Burna Boy\, Russ)\, TJ Whitelaw (John Legend\, Syd) and mastering engineer Alec Ness (Alabama Shakes\, Sam Smith) over the last two years\, her 20-song opus honestly admits to many of the distractions and habits that she’s used to escape her real life: sex\, drugs\, nature\, and rock’n’roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. \n\n\n\n“There are some deeper songs and some more fun ones\, all mostly fueled with vices\,” she explains. Caught in the middle is album opener “SAME MISTAKES\,” a vulnerable\, dreamy prologue that sets the tone for Waters’ story. \n\n\n\n“I’m talking about being a piece of shit and not trying hard enough\,” she details. The hypnotic\, soulful track recounts the loop she’s been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like “OFTEN\,” she takes the cyclical nature of these experiences literally in the music\, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets. \n\n\n\nSingles “GET A GRIP” and “WET T-SHIRT” delve into a similar vice: sex. “WET T-SHIRT” explores how she has used physical connection to cope. She describes the grunge-y\, guitar and drum driven track as a “heavy\, erotic\, fantasy track\,” and it has come accompanied with a video of women having fun on dirt bikes. While that track offers the fun aspect of the vice\, “GET A GRIP” is the reality check. The spiralling lyrics are accompanied by a synth-y dream pop sound that makes the song float. \n\n\n\nThe relatable financial limitations that can keep a person feeling stuck is addressed on “PAY AS YOU GO.” It’s about the struggle everyone is fucking feeling in this economy\,” she says. It’s a life Waters is familiar with\, having spent her early adult life couch-surfing while making money as a busker in the streets of Toronto. \n\n\n\n“I’m still working towards the dream of paying off my family’s debt and to finally have a farm or something one day\,” she adds. That dream is further detailed on “RUNAWAY\,” where she expresses how much she wants to pay back her mom for all that she gave her. Waters’ mom serves as one of her biggest inspirations\, having been a singer herself. “I remember being in the back of the Legion all the time or in bars when I was really young watching her sing\,” Waters recalls of her childhood in Ontario. \n\n\n\nWaters is well on her way to accomplishing that. Busking led to her discovery\, and she released two EPS — 2019’s Almost Naked and 2020’s If It Comes Down to It — to critical acclaim. The latter received a Juno Award nomination for Alternative Album of the Year at the 2022 ceremony. She’s become a successful touring act along the way\, touring with heroes like Shakey Graves and Dallas Green and playing Osheaga Music Festival. \n\n\n\nFollowing the release of her 2024 debut album What’s the Point\, Waters has pinpointed the sound that feels truest to her. It’s a bit of nostalgia with raw acoustic moments that showcase both her strong songwriting and powerful voice. Musically\, she sees herself somewhere between the sounds of her two favorite artists: Rihanna and Nirvana. \n\n\n\n“I feel like I fall somewhere in the middle of a lit\, sexually powerful\, beautiful\, strong woman vibe\, and a more subdued\, elusive\, rocky\, lil’ angry boy vibe\,” she explains. “I feel like I’m battling between those two within myself often”. Waters knows that an even bigger battle is within herself. With SUPPRE$$IONS\, she’s had a stand-off with those vices. Now\, she’s aiming to lay down her weapons and see what happens next. \n\n\n\n“All this changes when I let these songs out\,” she affirms. “I can release.”From her home in the BC mountains\, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase “to suppress.” \n\n\n\n“It’s the act of holding back or preventing something from developing\, functioning\, being seen or being expressed\,” she reads. It’s a definition she’s found deeply relatable over the last couple years. \n\n\n\n“A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself\,” Waters explains. “It’s also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite\, being weighed down almost underwater by suppressed emotions.” \n\n\n\nWaters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains\, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover\, wearing a collection of fishing lures as earrings and nose rings\, and being lifted by a hook out of the water on the back cover. \n\n\n\n“I’ve been dealing with addiction and mental health issues for a very long time\,” she admits. “This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so.” She states\, “It’s an acceptance album. Accepting all of these feelings\, wants\, and needs instead of suppressing them.” \n\n\n\nWritten and recorded with her longtime collaborators Sam Jackson Willows (The Beaches\, A Boogie Wit Da Hoodie)\, Harper (Burna Boy\, Russ)\, TJ Whitelaw (John Legend\, Syd) and mastering engineer Alec Ness (Alabama Shakes\, Sam Smith) over the last two years\, her 20-song opus honestly admits to many of the distractions and habits that she’s used to escape her real life: sex\, drugs\, nature\, and rock’n’roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. \n\n\n\n“There are some deeper songs and some more fun ones\, all mostly fueled with vices\,” she explains. Caught in the middle is album opener “SAME MISTAKES\,” a vulnerable\, dreamy prologue that sets the tone for Waters’ story. \n\n\n\n“I’m talking about being a piece of shit and not trying hard enough\,” she details. The hypnotic\, soulful track recounts the loop she’s been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like “OFTEN\,” she takes the cyclical nature of these experiences literally in the music\, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets. \n\n\n\nSingles “GET A GRIP” and “WET T-SHIRT” delve into a similar vice: sex. “WET T-SHIRT” explores how she has used physical connection to cope. She describes the grunge-y\, guitar and drum driven track as a “heavy\, erotic\, fantasy track\,” and it has come accompanied with a video of women having fun on dirt bikes. While that track offers the fun aspect of the vice\, “GET A GRIP” is the reality check. The spiralling lyrics are accompanied by a synth-y dream pop sound that makes the song float. \n\n\n\nThe relatable financial limitations that can keep a person feeling stuck is addressed on “PAY AS YOU GO.” It’s about the struggle everyone is fucking feeling in this economy\,” she says. It’s a life Waters is familiar with\, having spent her early adult life couch-surfing while making money as a busker in the streets of Toronto. \n\n\n\n“I’m still working towards the dream of paying off my family’s debt and to finally have a farm or something one day\,” she adds. That dream is further detailed on “RUNAWAY\,” where she expresses how much she wants to pay back her mom for all that she gave her. Waters’ mom serves as one of her biggest inspirations\, having been a singer herself. “I remember being in the back of the Legion all the time or in bars when I was really young watching her sing\,” Waters recalls of her childhood in Ontario. \n\n\n\nWaters is well on her way to accomplishing that. Busking led to her discovery\, and she released two EPS — 2019’s Almost Naked and 2020’s If It Comes Down to It — to critical acclaim. The latter received a Juno Award nomination for Alternative Album of the Year at the 2022 ceremony. She’s become a successful touring act along the way\, touring with heroes like Shakey Graves and Dallas Green and playing Osheaga Music Festival. \n\n\n\nFollowing the release of her 2024 debut album What’s the Point\, Waters has pinpointed the sound that feels truest to her. It’s a bit of nostalgia with raw acoustic moments that showcase both her strong songwriting and powerful voice. Musically\, she sees herself somewhere between the sounds of her two favorite artists: Rihanna and Nirvana. \n\n\n\n“I feel like I fall somewhere in the middle of a lit\, sexually powerful\, beautiful\, strong woman vibe\, and a more subdued\, elusive\, rocky\, lil’ angry boy vibe\,” she explains. “I feel like I’m battling between those two within myself often”. Waters knows that an even bigger battle is within herself. With SUPPRE$$IONS\, she’s had a stand-off with those vices. Now\, she’s aiming to lay down her weapons and see what happens next. \n\n\n\n“All this changes when I let these songs out\,” she affirms. “I can release.” \n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSTANDING ROOM SHOW / 16+ (UNDER 18 MUST MUST BE ACCOMPANIED BY A LEGAL GUARDIAN)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/ruby-waters/
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20270326T200000
DTEND;TZID=America/Denver:20270326T235900
DTSTAMP:20261023T171732Z
CREATED:20261020T170000Z
LAST-MODIFIED:20261023T171732Z
UID:21296-1806091200-1806105540@tacaw.org
SUMMARY:The Last Revel
DESCRIPTION:The Last Revel\n\n\n\nW/ Support TBd \n\n\n\n\n\n\n\n\n\n\n\nDoors 7:00pm / Show 8:00pm \n\n\n\n$30 MEMBER / $35 ADVANCE / $45 DAY OF \n\n\n\nSTANDING ROOM SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaserGroup Sales are available to our Business Advocates\, learn more \n\n\n\n\n\n\n\nABOUT THE LAST REVEL\n\n\n\nGenre: AMericana / Folk \n\n\n\nWEBSITE / FACEBOOK  / INSTAGRAM / YOUTUBE / SPOTIFY \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMuch like their sorrowful\, purposeful melodies\, the members of The Last Revel contain this thick thread of self\, and of place\, when it comes to the underlying trait in the sounds and scope of their intent\, onstage and in the studio — survival mode.

“Honestly\, I don’t know if we would’ve been able to do this career for as long as we have without persistence\,” says guitarist Lee Henke. “By living in a challenging place\, it’s definitely conditioned us to have a high tolerance for discomfort\, a certain toughness to push ahead.”

That sentiment of tenacity and passion lies at the heart of The Last Revel’s latest album\, Gone for Good. Produced by Trampled by Turtles lead singer Dave Simonett\, the record is a multilayered ode to the life of an artist\, life on the road\, and what it means to be a human being in uncertain times.

“This is a step in our careers that feels like there’s no going back\,” says banjoist Ryan Acker. “There’s a level of commitment now that\, just a couple of years ago\, we didn’t fathom we could take on. The boat is off the shore and you can’t see land anymore — we’re in it now.” Based in Minneapolis\, Minnesota\, the Americana/indie-folk outfit harkens to the trials\, tribulations\, and triumphs of what it means to pursue your dreams in real time. The foundation of which is conjured by a deep appreciation and genuine respect for the vast landscape and sometimes-harsh realities of what it means to emerge from the Midwest.

“We grew up in the Midwest and we’ve all kind of stayed in this region of the country\,” Henke notes. “This place has imprinted itself on who we are\, and that challenge of life here is part of who we are now.”

Alongside Henke and Acker is fiddler Vinnie Donatelle. When the ensemble finds themselves behind the microphone\, it’s the culmination of their vocal talents that truly showcases the mission of The Last Revel — harmony.

“There’s no better feeling [when we’re singing together]\,” Acker says. “And it makes you understand something primal\, these melodies and these harmonies. It’s internal and it’s really powerful to sing your heart out with the people you love and your best friends.”

The seeds for The Last Revel were initially planted when Acker and Henke met in college in Wisconsin and started jamming together. Following graduation\, the duo eventually headed for Minnesota\, crossed paths with Donatelle\, and started putting together a musical project. By 2011\, the group was formed in Minneapolis.

“The name comes from the idea of saying\, ‘One last go\, one last celebration\,’” Henke recalls. “It’s treating every show like it could be the last one kind of makes it extra special each time. It’s become a mantra through all the hardships we’ve been through — it’s crazy we get to do this\, so let’s act like it might be the last one.”

“It feels like a miracle\,” Acker adds. “This is a career where\, hell or high water\, this is what I’m doing. This is something we feel genuine about creating and sharing with people — there’s no other option.”

Early on in the band’s tenure\, The Last Revel was clocking in around 200 shows each year\, and did so for several years. Burnout was real\, with the act deciding to go on hiatus in 2019 to recalibrate and reenergize what it is within the group that remains steadfast.

“I tried to quit music. And then\, the moment I accepted [I was done]\, I wrote five new songs the next day\,” Henke shakes his head in awe. “There’s always been a real therapeutic element to writing music for me. And it goes beyond that now\, where if I don’t write for [a while]\, I feel pent up — there’s something that needs to come out.”

A couple years went by\, with Henke and Acker eventually circling back to one another. The musical chemistry and unbreakable camaraderie was still intact\, with each thinking the same thing — let’s give music another shot. To note\, Gone for Good is The Last Revel’s second album since reuniting in 2021.

“We spent so much time together in our twenties and thirties where\, even as friends\, let’s just get back together and see how it feels\,” Acker says. “Let’s just record some music and release it.”

“The first step was all about just reconnecting — to hell with anyone else giving a damn about the music\,” Donatelle adds. “The only important thing is playing some music together.”

When The Last Revel released Dovetail in 2023\, the reunion album sparked wildfire\, whether it was with longtime\, loyal fans of the band or newcomers coming across the group by mere happenstance. Now back on the road on the stage\, the bandmates were happily surprised by the unexpected response by sold-out gigs wherever they toured.
 \n\n\n\n“It kind of took us off-guard\,” Acker says of the fan response. “And it’s become this reciprocal\, motivating thing now. People didn’t forget about us\, and many more discovered our music over COVID than we had anticipated — the music we made is continuing to reach people.”

“That initial response was so powerful\,” Donatelle adds. “But\, on the other end of things\, [the music] was never about any of us individually. It’s about the way that people connected to our music and just the way the music had a life of its own outside of us.”

Reflecting on Gone for Good\, Acker feels a real\, tangible\, more so positive shift in what it is The Last Revel aims to do moving forward. It’s this collective realm of collaboration\, all in hopes of connectivity not only between the bandmates\, but also the audience itself night in and night out — from coast-to-coast and back around to Minnesota. “And I think that shows up more on this record than ever\,” Acker says. “We’ve finally clicked on what the band’s purpose is\, the ethos behind all of this — we’re figuring out how to be ourselves and be happy through the music.” \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n \n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSTANDING ROOM SHOW / 18+ (VALID PHOTO ID REQUIRED)\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/the-last-revel/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/09/3_26-Image_640by360-1.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270415T193000
DTEND;TZID=America/Denver:20270415T235900
DTSTAMP:20261001T174357Z
CREATED:20260928T160000Z
LAST-MODIFIED:20261001T174357Z
UID:13408-1807817400-1807833540@tacaw.org
SUMMARY:Daniel Adam Maltz: Fortepiano
DESCRIPTION:Daniel Adam Maltz\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 7:30 pm / DOORS @ 6:30 pm \n\n\n\n$25 MEMBERS / $30 ADVANCE / $35 DAY OF \n\n\n\n$15 Children (17 and under)  \n\n\n\nSEATED SHOW / ALL AGES (UNDER 18 MUST BE ACCOMPANIED BY A LEGAL GUARDIAN) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTICKETS\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaser. \n\n\n\nUNDERWRITTEN BY \n\n\n\n\n\n\n\n\n\n\n\nABOUT DANIEL ADAM MALTZ\n\n\n\n\n\n\n\nGENRE: CLASSICAL \n\n\n\nWEBSITE / INSTAGRAM / TWITTER / YOUTUBE \n\n\n\nDaniel Adam Maltz is a Vienna-based fortepianist. He is “considered the foremost performer in the world of the fortepiano” (Aspen Daily News) and is in demand worldwide with 50+ tour dates per year as a sought-after recitalist\, concerto soloist\, director\, Lied accompanist\, and clinician. \n\n\n\nDaniel specializes in Viennese Classicism — especially the works of Haydn\, Mozart\, and Beethoven — performed on the Viennese fortepianos of their time. Critics say Daniel puts “[Beethoven’s] tenderness\, longing and frustration into the very notes” (Orlando Sentinel) and “Maltz is a marvelous and sincere artist… It was a privilege to hear an artist of this caliber” (The Antic Arts). \n\n\n\nDaniel studied fortepiano performance at the Universität für Musik und darstellende Kunst in Vienna and the Royal Academy of Music in London\, refining his command of historical practices through private study with Ingomar Rainer.  For 2027\, Daniel launched a 90-city tour commemorating 200 years since Beethoven’s death. \n\n\n\n\n\n\n\n\nTICKETS\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 8:00 pm / DOORS @ 7:00 pm\n\n\n\nSEATED SHOW / ALL AGES (Under 18 Must Be Accompanied By A Legal Guardian) \n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLocation: TACAW\, 400 Robinson St\, Basalt\, CO 81621\n\n\n\n\n\n\n\n\n\n\nPresented By: TACAW
URL:https://tacaw.org/calendar/daniel-adam-maltz/
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2024/01/4_17-Image_640by360.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270717T180000
DTEND;TZID=America/Denver:20270717T235900
DTSTAMP:20261029T202223Z
CREATED:20260217T170000Z
LAST-MODIFIED:20261029T202223Z
UID:19807-1815847200-1815868740@tacaw.org
SUMMARY:Comedian Tig Notaro - 6:00 PM
DESCRIPTION:Comedian Tig Notaro\n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 6:00 pm / DOORS @ 5:00 pm \n\n\n\n$60 MEMBER / $65 ADVANCE / $75 DAY OF \n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJOIN WAITLIST\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaserGroup Sales are available to our Business Advocates\, learn more \n\n\n\nSEATED SHOW 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\nABOUT TIG NOTARO\n\n\n\n\n\n\n\nWEBSITE / FACEBOOK / TWITTER / YOUTUBE \n\n\n\nTig Notaro is an Emmy and Grammy nominated stand-up comedian\, actor\, writer\, podcaster\, and radio contributor\, as well as a favorite on numerous talk shows\, including THE LATE SHOW WITH STEPHEN COLBERT and THE TONIGHT SHOW WITH JIMMY FALLON. Rolling Stone named her one of the “50 best stand-up comics of all time.” Her special\, TIG NOTARO: HELLO AGAIN\, premiered in March of 2024 on Amazon\, garnering multiple Emmy nominations. \n\n\n\nNotaro can be seen in THE MORNING SHOW on Apple TV and both STAR TREK: DISCOVERY and the upcoming STAR TREK: STARFLEET ACADEMY on Paramount+. She also appears in the Netflix films\, YOUR PLACE OR MINE and WE HAVE A GHOST\, and Zack Snyder’s ARMY OF THE DEAD. Notaro wrote and starred in the groundbreaking TV show ONE MISSISSIPPI and co-directed the GLAAD-nominated feature film AM I OK? with her wife\, Stephanie Allynne\, which debuted at the 2022 Sundance Film Festival and premiered on HBO MAX in 2024. \n\n\n\nNotaro hosts the critically acclaimed podcast\, HANDSOME with friends Fortune Feimster and Mae Martin. She is also the author of the New York Times best-selling memoir\, I’M JUST A PERSON. Additionally\, Tig produced the documentary COME SEE ME IN THE GOOD LIGHT\, which won the Festival Favorite award at Sundance in 2025 and premiered on November 14th on Apple TV and in select theaters. \n\n\n\n\n\n\n\n\n\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:00 pm / DOORS @ 5:00 pm\n\n\n\nSHOW @ 9:00 PM / DOORS @ 8:15 PM\n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/comedian-tig-notaro-out-of-nowhere-tour-600-pm/
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/02/Tig-Nator-Sold-out.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20270717T210000
DTEND;TZID=America/Denver:20270717T235900
DTSTAMP:20261029T202530Z
CREATED:20260217T170000Z
LAST-MODIFIED:20261029T202530Z
UID:19813-1815858000-1815868740@tacaw.org
SUMMARY:Comedian Tig Notaro 9:00 PM
DESCRIPTION:Comedian Tig Notaro\n\n\n\nW/ FEATURE TBD \n\n\n\n\n\n\n\n\n\n\n\nSHOW @ 9:00 pm / DOORS @ 8:15 pm \n\n\n\n$60 MEMBER / $65 ADVANCE / $75 DAY OF \n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJOIN WAITLIST\n\n\n\n\n\n\n\n\nALL TICKET SALES ARE FINALLimit of 4 tickets per purchaserGroup Sales are available to our Business Advocates\, learn more \n\n\n\nSEATED SHOW 18+ VALID PHOTO ID REQUIRED \n\n\n\n\n\n\n\nABOUT TIG NOTARO\n\n\n\n\n\n\n\nWEBSITE / FACEBOOK / TWITTER / YOUTUBE \n\n\n\nTig Notaro is an Emmy and Grammy nominated stand-up comedian\, actor\, writer\, podcaster\, and radio contributor\, as well as a favorite on numerous talk shows\, including THE LATE SHOW WITH STEPHEN COLBERT and THE TONIGHT SHOW WITH JIMMY FALLON. Rolling Stone named her one of the “50 best stand-up comics of all time.” Her special\, TIG NOTARO: HELLO AGAIN\, premiered in March of 2024 on Amazon\, garnering multiple Emmy nominations. \n\n\n\nNotaro can be seen in THE MORNING SHOW on Apple TV and both STAR TREK: DISCOVERY and the upcoming STAR TREK: STARFLEET ACADEMY on Paramount+. She also appears in the Netflix films\, YOUR PLACE OR MINE and WE HAVE A GHOST\, and Zack Snyder’s ARMY OF THE DEAD. Notaro wrote and starred in the groundbreaking TV show ONE MISSISSIPPI and co-directed the GLAAD-nominated feature film AM I OK? with her wife\, Stephanie Allynne\, which debuted at the 2022 Sundance Film Festival and premiered on HBO MAX in 2024. \n\n\n\nNotaro hosts the critically acclaimed podcast\, HANDSOME with friends Fortune Feimster and Mae Martin. She is also the author of the New York Times best-selling memoir\, I’M JUST A PERSON. Additionally\, Tig produced the documentary COME SEE ME IN THE GOOD LIGHT\, which won the Festival Favorite award at Sundance in 2025 and premiered on November 14th on Apple TV and in select theaters. \n\n\n\n\n\n\n\n\n\n\n\n\nVIEW CALENDAR\n\n\n\n\n\n\n\n\nDETAILS\n\n\n\n\n\n\n\n\nSHOW @ 6:00 pm / DOORS @ 5:00 pm\n\n\n\nSHOW @ 9:00 PM / DOORS @ 8:15 PM\n\n\n\nSEATED SHOW / 18+ VALID PHOTO ID REQUIRED\n\n\n\nALL TICKET SALES ARE FINAL\n\n\n\nLimit of 4 tickets per purchaser\n\n\n\n\n\n\n\n\nPresented By: The Arts Campus At Willits
URL:https://tacaw.org/calendar/comedian-tig-notaro-out-of-nowhere-tour-900-pm/
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/webp:https://tacaw.org/wp-content/uploads/2026/02/Tig-Nator-Sold-out.webp
END:VEVENT
END:VCALENDAR